Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

Henry Fuseli

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Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

Henry Fuseli

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Artist: Henry Fuseli
Date: 1770/75
Medium: Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper
Materials: paper (fiber product), graphite, brown wash, wash, white gouache, gouache, water-base paint, laid paper
Dimensions: 57.3 × 46.2 cm (22 9/16 × 18 1/4 in.)
Location: Art Institute of Chicago
Credit: The Leonora Hall Gurley Memorial Collection

Exhibition history

Shockingly Mad: Henry Fuseli and the Art of DrawingArt Institute of Chicago · 16 Nov 2017 – 1 Apr 2018

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Milton Dictating to His Daughter

Henry Fuseli · 1794

Oil on canvas

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Venus and Cupid

John Deare · 1789

Pen and black ink on cream laid paper

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Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

Henry Fuseli · c. 1781

Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

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The Witches Appear to Macbeth and Banquo

James Caldwall · 1798

Etching on ivory wove paper

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Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side

Henry Fuseli · c. 1818

Etching and aquatint on ivory wove paper

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli · 1779–81 (recto); 1785–90 (verso)

Oil on canvas

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Cite this work

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Henry Fuseli, Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man, 1770/75, Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago.

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The Leonora Hall Gurley Memorial Collection

Metadata sourced from Art Institute of Chicago open data collection

Image rights: Public Domain (CC0)

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More works by Henry Fuseli

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Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon

1770–71

Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card

Art Institute of Chicago

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

1770–78

Oil on canvas

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Odin in the Underworld

1770/72

Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper

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Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

c. 1781

Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

Art Institute of Chicago

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

1779–81 (recto); 1785–90 (verso)

Oil on canvas

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Sleeping Woman with a Cupid

1780/90

Etching in red-brown on ivory laid paper

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Thetis Mourning the Body of Achilles

1780

Brush and brown and brownish-red wash, over graphite, on cream laid paper

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Portrait of a Woman (Martha Hess)

1781

Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper

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