Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli

← Back

Zoom

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli

Cite ↓

Artist: Henry Fuseli
Date: 1770–78
Medium: Oil on canvas
Materials: oil paint (paint), canvas, paint, painting
Dimensions: Edges irregular, approx.: 40.6 × 29.8 cm (16 × 11 3/4 in.); Framed: 52.3 × 41.6 cm (20 9/16 × 16 3/8 in.)
Location: Art Institute of Chicago
Credit: The Leonora Hall Gurley Memorial Collection

Exhibition history

Shockingly Mad: Henry Fuseli and the Art of DrawingArt Institute of Chicago · 16 Nov 2017 – 1 Apr 2018

Other works in Shockingly Mad: Henry Fuseli and the Art of Drawing

See all →

Milton Dictating to His Daughter

Henry Fuseli · 1794

Oil on canvas

Art Institute of Chicago

CC0

Venus and Cupid

John Deare · 1789

Pen and black ink on cream laid paper

Art Institute of Chicago

CC0

Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

Henry Fuseli · c. 1781

Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

Art Institute of Chicago

CC0

The Witches Appear to Macbeth and Banquo

James Caldwall · 1798

Etching on ivory wove paper

Art Institute of Chicago

CC0

Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side

Henry Fuseli · c. 1818

Etching and aquatint on ivory wove paper

Art Institute of Chicago

CC0

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli · 1779–81 (recto); 1785–90 (verso)

Oil on canvas

Art Institute of Chicago

CC0

Cite this work

As seen in

Henry Fuseli, Two Heads of Damned Souls from Dante's "Inferno" (recto and verso), 1770–78, Oil on canvas, Art Institute of Chicago, Chicago.

Stable URL (what's this?)

https://dartabase.art/cite/aic/116101

The Leonora Hall Gurley Memorial Collection

Metadata sourced from Art Institute of Chicago open data collection

Image rights: CC0

View source record ↗How to cite ↓Suggest a correction ↗

More works by Henry Fuseli

See all 17 →

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon

1770–71

Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card

Art Institute of Chicago

CC0

Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

1770/75

Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper

Art Institute of Chicago

CC0

Odin in the Underworld

1770/72

Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper

Art Institute of Chicago

CC0

Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

c. 1781

Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

Art Institute of Chicago

CC0

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

1779–81 (recto); 1785–90 (verso)

Oil on canvas

Art Institute of Chicago

CC0

Sleeping Woman with a Cupid

1780/90

Etching in red-brown on ivory laid paper

Art Institute of Chicago

CC0

Thetis Mourning the Body of Achilles

1780

Brush and brown and brownish-red wash, over graphite, on cream laid paper

Art Institute of Chicago

CC0

Portrait of a Woman (Martha Hess)

1781

Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper

Art Institute of Chicago

CC0