Portrait of a Woman (Martha Hess)

Henry Fuseli

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Portrait of a Woman (Martha Hess)

Henry Fuseli

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Artist: Henry Fuseli
Date: 1781
Medium: Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper
Materials: paper (fiber product), charcoal, plant material, chalk sticks, black chalk, chalk, inorganic material, white chalk, pastels (crayons), crayons
Dimensions: 44.2 × 32.5 cm (17 7/16 × 12 13/16 in.)
Location: Art Institute of Chicago
Credit: Clarence Buckingham Collection

Exhibition history

Shockingly Mad: Henry Fuseli and the Art of DrawingArt Institute of Chicago · 16 Nov 2017 – 1 Apr 2018

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Milton Dictating to His Daughter

Henry Fuseli · 1794

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Venus and Cupid

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Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

Henry Fuseli · c. 1781

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The Witches Appear to Macbeth and Banquo

James Caldwall · 1798

Etching on ivory wove paper

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Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side

Henry Fuseli · c. 1818

Etching and aquatint on ivory wove paper

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli · 1779–81 (recto); 1785–90 (verso)

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Cite this work

As seen in

Henry Fuseli, Portrait of a Woman (Martha Hess), 1781, Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper, Art Institute of Chicago, Chicago.

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Clarence Buckingham Collection

Metadata sourced from Art Institute of Chicago open data collection

Image rights: CC0

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Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon

1770–71

Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

1770–78

Oil on canvas

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Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

1770/75

Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper

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Odin in the Underworld

1770/72

Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper

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Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

c. 1781

Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

1779–81 (recto); 1785–90 (verso)

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Sleeping Woman with a Cupid

1780/90

Etching in red-brown on ivory laid paper

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Thetis Mourning the Body of Achilles

1780

Brush and brown and brownish-red wash, over graphite, on cream laid paper

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