Artist
also: Sir Max Beerbohm
Held at 2 collections

1916
Graphite and watercolour on paper

1916
Graphite and watercolour on paper

1916
Graphite and watercolour on paper

1916
Graphite and watercolour on paper

1916–7
Graphite and watercolour on paper

1916
Graphite and watercolour on paper

1916
Graphite and watercolour on paper

1916
Graphite and watercolour on paper

1916
Graphite and watercolour on paper

1916
Graphite and watercolour on paper
We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.
Example citation for John Singer Sargent. Switch format, then copy.
Max Beerbohm, John Singer Sargent, 1909, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York.
Dartabase holds 24 works by Max Beerbohm. Full catalogue on Wikidata ↗
Max Beerbohm, John Singer Sargent, 1909, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York.
Max Beerbohm, The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, The Man from Hymettus. Mr Frederick Leighton, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Quis Custodiet Ipsum Custodem, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., 1916–7, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Rossetti’s Courtship, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Ford Madox Brown being Patronized by Holman Hunt, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, A Momentary Vision that Once Befell Young Millais, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Blue China, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, The Small Hours in the ‘Sixties at 16 Cheyne Walk, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Topsy and Ned Jones Settled on the Settle in Red Lion Square, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, 1916, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, British Stock and Alien Inspiration, 1849, 1917, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Spring Cottage, Hampstead, 1860, 1917, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Woolner at Farringford, 1857, 1917, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, 1917, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Mr Morley ... introduces Mr John Stuart Mill, 1917, Graphite and watercolour on paper, Tate, London.
Max Beerbohm, Mr - and Miss - Nervously Perpetuating the Touch of a Vanished Hand, 1917, Graphite and watercolour on paper, Tate, London.