Skip to main content

dartabase Play Browse Movements

dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

Dartabase, a reference for art and its makers

ExploreBrowse Artists Movements Exhibitions Institutions & sources

Cite & dataCite Dartabase Data terms API & widget

ProjectAbout Gallery partners Contact

Blue China, Max Beerbohm | Dartabase

Blue China, Max Beerbohm, 1916, Graphite and watercolour on paper

Blue China

Cite ↓Compare

Artist: Max Beerbohm
Date: 1916
Medium: Graphite and watercolour on paper
Dimensions: support: 337 x 273 mm
Location: Tate
Credit: Bequeathed by Sir Hugh Walpole 1941

Exhibition history

Exhibition history not yet ingested for Tate. View at source ↗

Cite this work

Max Beerbohm, Blue China, 1916, Graphite and watercolour on paper, Tate, London.

Stable URL (what's this?)

https://dartabase.art/cite/tate/A01047

Also citing Dartabase? Get the database citation →

Metadata sourced from Tate open data collection

Rights reserved – Image rights belong to the holding institution. Check the source record before reusing. See source record.

View source record ↗Suggest a correction ↗

More works by Max Beerbohm

John Singer Sargent, Max Beerbohm, 1909, Watercolor, ink, and pencil on paper

John Singer Sargent

1909

Watercolor, ink, and pencil on paper

The Museum of Modern Art

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, Max Beerbohm, 1916, Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America

1916

Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti

1916

Graphite and watercolour on paper

More from Tate, 1910s

Project for the Facade of the Tate Gallery, Sidney Robert James Smith, c.1893, Ink on paper

Project for the Facade of the Tate Gallery

Sidney Robert James Smith · c.1893

Ink on paper

Study for Heraldic Glass, Philip Webb, 1893, Watercolour, ink and graphite on paper

Study for Heraldic Glass

Philip Webb · 1893

Watercolour, ink and graphite on paper

Study for Heraldic Glass, Philip Webb, 1893, Graphite on paper

Study for Heraldic Glass

Philip Webb · 1893

Graphite on paper

At the Brasserie, Edward Ardizzone, 1931, Watercolour and ink on paper

At the Brasserie

Edward Ardizzone · 1931

Watercolour and ink on paper

Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti

1916

Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel

1916

Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton, Max Beerbohm, 1916, Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton

1916

Graphite and watercolour on paper

Quis Custodiet Ipsum Custodem, Max Beerbohm, 1916, Graphite and watercolour on paper

Quis Custodiet Ipsum Custodem

1916

Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., Max Beerbohm, 1916–7, Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ...

1916–7

Graphite and watercolour on paper

The Meeting, Edward Ardizzone, 1931, Watercolour and ink on paper

The Meeting

Edward Ardizzone · 1931

Watercolour and ink on paper

The Arrival, Edward Ardizzone, 1931, Watercolour and ink on paper

The Arrival

Edward Ardizzone · 1931

Watercolour and ink on paper