Artist

1970
Felt-tip pen, colored pencil, and watercolor on diazotype

1971
Felt-tip pen and pencil on transparentized paper

1971
Watercolor, enamel, and felt-tip pen on blueprint paper

1971
Synthetic polymer paint, watercolor, and felt-tip pen on diazotype

1971
Synthetic polymer paint on diazotype

1971
Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype

1972
Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper

1972
Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper

1972
Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper

1972
Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper

1972
Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper

1972
Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper

1972
Synthetic polymer paint, felt-tip pen, and pencil on colored paper

1972
Felt-tip pen, pencil, and transfer type on paper

1972
Pencil, watercolor, felt-tip pen and typewriting on paper

1972
Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper

1972
Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper
Example citation for Study for Proyecto Prototipo Multiple - "Habitat para Arañas". Switch format, then copy.
Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York.
Dartabase holds 20 works by Luis Fernando Benedit. Full catalogue on Wikidata ↗
Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Proyecto Multiple, 1971, Felt-tip pen and pencil on transparentized paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York.
Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, pencil, and transfer type on paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York.
Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York.