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Labyrinth for White Rats, Luis Fernando Benedit | Dartabase

Labyrinth for White Rats, Luis Fernando Benedit, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper

Labyrinth for White Rats

Luis Fernando Benedit

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Artist: Luis Fernando Benedit
Date: 1971
Medium: Watercolor, enamel, and felt-tip pen on blueprint paper
Dimensions: 16 1/4 x 26 7/8" (41.1 x 68.2 cm)
Location: The Museum of Modern Art
Credit: David Rockefeller Latin American Fund

Exhibition history

More works by Luis Fernando Benedit

Study for Proyecto Prototipo Multiple - "Habitat para Arañas", Luis Fernando Benedit, 1970, Felt-tip pen, colored pencil, and watercolor on diazotype

Study for Proyecto Prototipo Multiple - "Habitat para Arañas"

1970

Felt-tip pen, colored pencil, and watercolor on diazotype

The Museum of Modern Art

Study for Proyecto Multiple, Luis Fernando Benedit, 1971, Felt-tip pen and pencil on transparentized paper

Study for Proyecto Multiple

1971

Felt-tip pen and pencil on transparentized paper

The Museum of Modern Art

Labyrinth for Ants, Luis Fernando Benedit, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype

Labyrinth for Ants

1971

Synthetic polymer paint, watercolor, and felt-tip pen on diazotype

The Museum of Modern Art

More from The Museum of Modern Art, 1970s

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York.

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Study for Proyecto Prototipo Multiple, Luis Fernando Benedit, 1971, Synthetic polymer paint on diazotype

Study for Proyecto Prototipo Multiple

1971

Synthetic polymer paint on diazotype

The Museum of Modern Art

Study for Habitat for Snails, Luis Fernando Benedit, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype

Study for Habitat for Snails

1971

Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

1972

Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper

Drawing for Phytotron: Hydroponic Environment for Plants

1972

Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper

Drawing for Phytotron: Hydroponic Environment for Plants

1972

Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 12) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art