Jean-Louis Forain

Exhibition history

• 2013
  Undressed: The Fashion of PrivacyArt Institute of Chicago
  1 work

Co-exhibited with

• Edgar Degas1834–1917 · French
  1 exhibition
• Édouard Manet1832–1883 · French
  1 exhibition
• Edvard Munch1863–1944 · Norwegian
  1 exhibition
• Félix Vallotton1865–1925 · Swiss
  1 exhibition
• Henri de Toulouse-Lautrec1864–1901 · French
  1 exhibition

How to cite works by Jean-Louis Forain

Example citation for Peur de Bourreau! Qu'est-ce que tu attends?.... Switch format, then copy.

Jean-Louis Forain, Peur de Bourreau! Qu'est-ce que tu attends?..., 1852, black crayon on wove paper, National Gallery of Art, Washington.

Dartabase holds 325 works by Jean-Louis Forain. Full catalogue on Wikidata ↗

1. ◆

   Jean-Louis Forain, Peur de Bourreau! Qu'est-ce que tu attends?..., 1852, black crayon on wove paper, National Gallery of Art, Washington.

2. ◆

   Jean-Louis Forain, Le cafe concert des reservistes, 1852, watercolor on wove paper, National Gallery of Art, Washington.

3. ◆

   Jean-Louis Forain, Sur le canape, 1852, brush and black ink and brown wash on laid paper, National Gallery of Art, Washington.

4. ◆

   Jean-Louis Forain, a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso), 1852, a) brush and black ink and graphite on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington.

5. ◆

   Jean-Louis Forain, Consolation, 1852, black crayon and brush and ink on wove paper, National Gallery of Art, Washington.

6. ◆

   Jean-Louis Forain, a) Chimney Corner (recto); b) Two Figures (verso), 1852, a) pen and brown ink and brown wash on wove Chapron Coquelin paper; b) pen and brown ink on wove Chapron Coquelin paper, National Gallery of Art, Washington.

7. ◆

   Jean-Louis Forain, To Each His Own, 1852, brush and black ink on wove paper, National Gallery of Art, Washington.

8. ◆

   Jean-Louis Forain, At an Evening Party, 1852, pen and brown ink on wove paper, National Gallery of Art, Washington.

9. ◆

   Jean-Louis Forain, On sonne! Si c'est l'Anglais d'hier maman tu t'en iras!, 1852, graphite and black crayon on wove paper, National Gallery of Art, Washington.

10. ◆

    Jean-Louis Forain, a) Ludus pro Populo (recto); b) Head of a Man (verso), 1852, a) black crayon on wove paper; b) black crayon on wove paper, National Gallery of Art, Washington.

11. ◆

    Jean-Louis Forain, a) Nurse and Child (recto); b) Man on Horseback (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink and purple pencil on wove paper, National Gallery of Art, Washington.

12. ◆

    Jean-Louis Forain, Comedie Parisienne, 1852, graphite and brush and black ink on wove paper, National Gallery of Art, Washington.

13. ◆

    Jean-Louis Forain, a) Print Connoisseur (recto); b) Sketch of Print Connoisseur (verso), 1852, a) brush and brown ink and black chalk with brown wash and white heightening on laid Van Gelder paper; b) black crayon on laid Van Gelder paper, National Gallery of Art, Washington.

14. ◆

    Jean-Louis Forain, Children Looking over the Edge of a Crib, 1852, black crayon on wove paper, National Gallery of Art, Washington.

15. ◆

    Jean-Louis Forain, a) Chauffeur and Procession (recto); b) Two Sketches of Chauffeur and Passenger (verso), 1852, a) black crayon on wove paper; b) graphite on wove paper, National Gallery of Art, Washington.

16. ◆

    Jean-Louis Forain, Nude on Rocks, 1852, watercolor on wove paper, National Gallery of Art, Washington.

17. ◆

    Jean-Louis Forain, Farniente, 1852, watercolor on wove paper, National Gallery of Art, Washington.

18. ◆

    Jean-Louis Forain, a) Lady and Gentleman in Evening Dress (recto); b) Sketch of Figure (verso), 1852, a) pen and black ink on wove paper; b) pen and black ink on wove paper, National Gallery of Art, Washington.

19. ◆

    Jean-Louis Forain, Le bar des Folies-Bergère (The Bar at the Folies-Bergère), c. 1876, etching on laid paper, National Gallery of Art, Washington.

20. ◆

    Jean-Louis Forain, Dancers in their Dressing Room, c. 1876, Etching in black on cream laid paper, Art Institute of Chicago, Chicago.

21. ◆

    Jean-Louis Forain, Déclaration d'amour (Declaration of Love), c. 1880, drypoint on wove paper, National Gallery of Art, Washington.

22. ◆

    Jean-Louis Forain, L'ambulante au parapluie (Walker with an Umbrella), c. 1880, etching on laid Van Gelder paper, National Gallery of Art, Washington.

23. ◆

    Jean-Louis Forain, Le café de la Nouvelle Athènes (The Cafe of the New Athens), c. 1876, etching on wove paper, National Gallery of Art, Washington.

24. ◆

    Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, etching on wove paper, National Gallery of Art, Washington.

25. ◆

    Jean-Louis Forain, Danseuses dans leur loge (Dancers in Their Dressing Room), c. 1876, etching on wove paper, National Gallery of Art, Washington.

26. ◆

    Jean-Louis Forain, A Bullier (To Bullier's), c. 1876, color etching on wove paper, National Gallery of Art, Washington.

27. ◆

    Jean-Louis Forain, Le bouquet (The Bouquet), c. 1876, etching on wove paper, National Gallery of Art, Washington.

28. ◆

    Jean-Louis Forain, Les Folies-Bergère (planche refusée, 2e planche) (The Folies Bergère) (refused plate, second plate), 1880 and 1886, etching on laid Arches paper, National Gallery of Art, Washington.

29. ◆

    Jean-Louis Forain, Sketch of a Woman, 1885/1890, pastel on canvas, National Gallery of Art, Washington.

30. ◆

    Jean-Louis Forain, Two Ladies in a Loge, 1886, pen and black ink on wove paper, National Gallery of Art, Washington.

31. ◆

    Jean-Louis Forain, Le Traite des blanches (The White Slave Trade), 1886 and 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

32. ◆

    Jean-Louis Forain, Le cabinet particulier (4e planche) (The Private Room) (fourth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

33. ◆

    Jean-Louis Forain, Le cabinet particulier (5e planche) (The Private Room) (fifth plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

34. ◆

    Jean-Louis Forain, a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso), c. 1893, a) lithograph on wove Arches vellum paper; b) graphite on wove Arches vellum paper, National Gallery of Art, Washington.

35. ◆

    Jean-Louis Forain, Le cabinet particulier (1ère planche) (The Private Room) (first plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

36. ◆

    Jean-Louis Forain, Le cabinet particulier (3e planche) (The Private Room) (third plate), c. 1893, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

37. ◆

    Jean-Louis Forain, L'audience (3e planche) (The Hearing) (third plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington.

38. ◆

    Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate), c. 1895, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington.

39. ◆

    Jean-Louis Forain, Au restaurant (At the Restaurant), 1890, lithograph on laid paper, National Gallery of Art, Washington.

40. ◆

    Jean-Louis Forain, Trois dessins sur une feuille (Three Drawings on a Sheet), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

41. ◆

    Jean-Louis Forain, Femme nue, s'essuyant les pieds (planche en hauteur) (Nude Woman Drying Her Feet) (vertical plate), c. 1895, lithograph with crayon additions in yellow and green on wove Arches vellum paper, National Gallery of Art, Washington.

42. ◆

    Jean-Louis Forain, Femme à sa toilette avec sa femme de chambre (2e planche en largeur) (Woman at Her Toilette with Her Maid) (second horizontal plate), c. 1895, lithograph in red on wove Arches vellum paper, National Gallery of Art, Washington.

43. ◆

    Jean-Louis Forain, Dans la salle de bains (In the Bathroom), c. 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

44. ◆

    Jean-Louis Forain, Danseuse rattachant son chausson (Dancer Tying Her Slipper), c. 1891, lithograph on wove paper, National Gallery of Art, Washington.

45. ◆

    Jean-Louis Forain, Scène de cabinet particulier (planche en largeur au lavis) (Scene in a Private Room) (horizontal plate with wash), c. 1896, lithograph in brown and black on wove paper, National Gallery of Art, Washington.

46. ◆

    Jean-Louis Forain, Chez l'huissier (At the Bailiff's), c. 1891, lithograph on laid paper, National Gallery of Art, Washington.

47. ◆

    Jean-Louis Forain, Une saisie (A Seizure), c. 1891, lithograph printed chine collé on wove paper, National Gallery of Art, Washington.

48. ◆

    Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid Arches paper, National Gallery of Art, Washington.

49. ◆

    Jean-Louis Forain, Rue Laffitte (Laffitte Street), c. 1892, lithograph on laid paper, National Gallery of Art, Washington.

50. ◆

    Jean-Louis Forain, Danseuse accotée contre un portant (avec des figurants) (Dancer Leaning against an Upright (with extras)), c. 1897, transfer lithograph on laid paper, National Gallery of Art, Washington.

51. ◆

    Jean-Louis Forain, Un tableau de papa! (1ère planche) (A Painting of Daddy's!) (first plate), c. 1897, transfer lithograph printed chine collé on wove paper, National Gallery of Art, Washington.

52. ◆

    Jean-Louis Forain, Les instructions pour la journée (The Instructions for the Day), c. 1897, color transfer lithograph on laid paper, National Gallery of Art, Washington.

53. ◆

    Jean-Louis Forain, a) Au théâtre (At the Theatre) (recto); (b) Untitled (verso), c. 1892, a) lithograph on wove Arches vellum paper; b) crayon in purple on wove Arches vellum paper, National Gallery of Art, Washington.

54. ◆

    Jean-Louis Forain, "J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much."), c. 1892, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

55. ◆

    Jean-Louis Forain, La loge de la danseuse (2e planche) (The Dancer's Dressing Room) (second plate), 1894, lithograph in brown on wove Arches vellum paper, National Gallery of Art, Washington.

56. ◆

    Jean-Louis Forain, Le petit déjeuner (planche en largeur) (Breakfast) (horizontal plate), 1895, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

57. ◆

    Jean-Louis Forain, La friction au gant de crin (planche au lavis et au trait) (The Massage with Coarse Hair Glove) (Wash and Line plate), 1895, lithotint in brown on wove paper, National Gallery of Art, Washington.

58. ◆

    Jean-Louis Forain, Croquis de femme en buste (Sketch of a Woman in Half-Length), c. 1900, lithograph on Arches wove paper, National Gallery of Art, Washington.

59. ◆

    Jean-Louis Forain, Etude de femme nue, les bras abaissés (Study of a Nude Woman, with Lowered Arms), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington.

60. ◆

    Jean-Louis Forain, Le colporteur juif (The Jewish Peddler), c. 1900, transfer lithograph on laid paper, National Gallery of Art, Washington.

61. ◆

    Jean-Louis Forain, Etude de femme nue, les mains croisées au-dessous de la tête (Study of a Nude Woman, Her Hands Crossed behind Her Head), c. 1900, transfer lithograph on laid Arches paper, National Gallery of Art, Washington.

62. ◆

    Jean-Louis Forain, En soirée (At an Evening Party), c. 1896, lithograph on wove Arches vellum paper, National Gallery of Art, Washington.

63. ◆

    Jean-Louis Forain, Le bain (planche en hauteur) (The Bath) (vertical plate), c. 1896, lithograph on laid paper, National Gallery of Art, Washington.

64. ◆

    Jean-Louis Forain, a) Scène de grève (3e planche) (Scene of a Strike) (third plate) (recto); b) Untitled (verso), c. 1897, a) lithograph on laid paper; b) black lithographic crayon on laid paper, National Gallery of Art, Washington.

65. ◆

    Jean-Louis Forain, Le Peril Anarchiste, c. 1897, pen and black ink and watercolor on wove paper, National Gallery of Art, Washington.

66. ◆

    Jean-Louis Forain, Femme assise, la tête dans la main droite (Seated Woman with Her Head Resting on Her Right Hand), 1897, lithograph in red and black on wove paper, National Gallery of Art, Washington.

67. ◆

    Jean-Louis Forain, Elections Municipales, c. 1897, brush and black ink with brown and gray wash on wove paper, National Gallery of Art, Washington.

68. ◆

    Jean-Louis Forain, Projet de Voyage, c. 1897, brush and black ink and colored washes on wove paper, National Gallery of Art, Washington.

69. ◆

    Jean-Louis Forain, En Grèce (In Greece), 1897, lithograph on wove paper, National Gallery of Art, Washington.

70. ◆

    Jean-Louis Forain, Etude de femme, en buste de face (Study of a Woman, Half-Length Facing Front), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington.

71. ◆

    Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph in black and red on laid Arches paper, National Gallery of Art, Washington.

72. ◆

    Jean-Louis Forain, Etude de femme assise, en buste de profil (Study of a Seated Woman, Half-Length in Profile), c. 1903, transfer lithograph on laid paper, National Gallery of Art, Washington.

73. ◆

    Jean-Louis Forain, Etude de femme assise (Study of a Seated Woman), c. 1903, transfer lithograph laid Arches paper, National Gallery of Art, Washington.

74. ◆

    Jean-Louis Forain, La route d'Emmaüs (1ère planche) (The Road to Emmaus) (first plate), 1902/1907, drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

75. ◆

    Jean-Louis Forain, Le calvaire (2e planche) (Calvary) (second plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington.

76. ◆

    Jean-Louis Forain, Le calvaire (2e planche) (Calvary) (second plate), 1902, etching with graphite and lithographic crayon additions on laid Van Gelder paper, National Gallery of Art, Washington.

77. ◆

    Jean-Louis Forain, Après l'apparition (2e planche) (After the Vision) (second plate), 1902/1907, drypoint on wove paper, National Gallery of Art, Washington.

78. ◆

    Jean-Louis Forain, Après l'apparition (2e planche) (After the Vision) (second plate), 1902/1907, drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington.

79. ◆

    Jean-Louis Forain, Le calvaire (1ère planche) (Calvary) (first plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington.

80. ◆

    Jean-Louis Forain, La fraction du pain (The Breaking of the Bread), 1902/1907, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington.

81. ◆

    Jean-Louis Forain, Le calvaire (1ère planche) (Calvary) (first plate), 1902, etching on laid Van Gelder paper, National Gallery of Art, Washington.

82. ◆

    Jean-Louis Forain, La route d'Emmaüs (2e planche) (The Road to Emmaus) (second plate), 1902/1907, etching and drypoint on wove paper, National Gallery of Art, Washington.

83. ◆

    Jean-Louis Forain, Eventail (pour le bal Gavarni) (Fan (for the Gavarni Ball)), 1903, color transfer lithograph on wove paper, National Gallery of Art, Washington.

84. ◆

    Jean-Louis Forain, Sur le lit (On the Bed), c. 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

85. ◆

    Jean-Louis Forain, Femme mettant son bas (Woman Putting On Her Stockings), c. 1909, etching and aquatint on laid Van Gelder paper, National Gallery of Art, Washington.

86. ◆

    Jean-Louis Forain, Sur le lit (On the Bed), c. 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

87. ◆

    Jean-Louis Forain, Croquis de femme nue, la tête contre l'oreiller (1ère plance) (Sketch of a Nude Woman, Her Head Against a Pillow) (1st plate), c. 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

88. ◆

    Jean-Louis Forain, Portrait de Renoir (2e planche) (Portrait of Renoir) (second plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington.

89. ◆

    Jean-Louis Forain, Portrait de Renoir (1ère planche) (Portrait of Renoir) (first plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington.

90. ◆

    Jean-Louis Forain, Scène de cabinet particulier (planche en largeur) (Scene in a Private Room) (horizontal plate), c. 1905, transfer lithograph on wove paper, National Gallery of Art, Washington.

91. ◆

    Jean-Louis Forain, Scène de cabinet particulier (planche en hauteur) (Scene in a Private Room) (vertical plate), c. 1905, transfer lithograph on laid paper, National Gallery of Art, Washington.

92. ◆

    Jean-Louis Forain, Portrait de Renoir (4e planche) (Portrait of Renoir) (fourth plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington.

93. ◆

    Jean-Louis Forain, Portrait de Renoir (3e planche) (Portrait of Renoir) (third plate), 1905, transfer lithograph on wove paper, National Gallery of Art, Washington.

94. ◆

    Jean-Louis Forain, J.L. Forain, c. 1912, drypoint on wove paper, National Gallery of Art, Washington.

95. ◆

    Jean-Louis Forain, Danseuse et Maître d'hôtel (Dancer and Headwaiter), 1908, soft-ground etching, drypoint, and aquatint on laid Van Gelder paper, National Gallery of Art, Washington.

96. ◆

    Jean-Louis Forain, Après la saisie (After the Seizure), 1908, etching (zinc) on laid Van Gelder paper, National Gallery of Art, Washington.

97. ◆

    Jean-Louis Forain, Après la saisie (After the Seizure), 1908, etching (zinc) on laid Van Gelder paper, National Gallery of Art, Washington.

98. ◆

    Jean-Louis Forain, Les couloirs du Palais (The Corridors of the Palace of Justice), 1908, etching on laid Van Gelder paper, National Gallery of Art, Washington.

99. ◆

    Jean-Louis Forain, Témoins à l'audience (1ère planche) (Evidence at the Hearing) (first plate), 1908, soft-ground etching (zinc) in brown on laid Van Gelder paper, National Gallery of Art, Washington.

100. ◆

     Jean-Louis Forain, Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate), 1908, etching and soft-ground etching on laid Van Gelder paper, National Gallery of Art, Washington.

101. ◆

     Jean-Louis Forain, Témoins à l'audience (2e planche) (Evidence at the Hearing) (second plate), 1908, etching and soft-ground etching on laid Van Gelder paper, National Gallery of Art, Washington.

102. ◆

     Jean-Louis Forain, Defenseur et Accuse, c. 1908, crayon with graphite additions on brown wove paper, National Gallery of Art, Washington.

103. ◆

     Jean-Louis Forain, Fille-mère (1ère planche) (Unwed Mother) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

104. ◆

     Jean-Louis Forain, Le repos en Egypte (The Rest in Egypt), 1909, etching and drypoint on laid paper, National Gallery of Art, Washington.

105. ◆

     Jean-Louis Forain, Femme assise de profil (Woman Seated in Profile), 1909, etching (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington.

106. ◆

     Jean-Louis Forain, Dans le parc de Versailles (1ère planche) (In the Park at Versailles) (first plate), 1909, drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington.

107. ◆

     Jean-Louis Forain, Le repos du modèle (4e planche) (The Model's Rest) (fourth plate), 1909, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington.

108. ◆

     Jean-Louis Forain, Le Christ aux outrages (The Mocking of Christ), 1909, drypoint on laid paper, National Gallery of Art, Washington.

109. ◆

     Jean-Louis Forain, Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes), 1909, drypoint and etching on laid Van Gelder paper, National Gallery of Art, Washington.

110. ◆

     Jean-Louis Forain, Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes), 1909, drypoint in brown on wove Van Gelder paper, National Gallery of Art, Washington.

111. ◆

     Jean-Louis Forain, Un caboulet à montmartre (A Dive at Montmartre), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

112. ◆

     Jean-Louis Forain, Avocat compulsant un dossier (Lawyer Going through a Brief), 1909, etching and drypoint in brown on wove paper, National Gallery of Art, Washington.

113. ◆

     Jean-Louis Forain, Avocat compulsant un dossier (Lawyer Going through a Brief), 1909, etching in blue on laid Van Gelder paper, National Gallery of Art, Washington.

114. ◆

     Jean-Louis Forain, La route de Rocquencourt (The Road to Rocquencourt), 1909, etching on laid paper, National Gallery of Art, Washington.

115. ◆

     Jean-Louis Forain, Paysage des environs de Versailles (Landscape in the Neighborhood of Versailles), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

116. ◆

     Jean-Louis Forain, La madone et les enfants (The Madonna and the Children), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

117. ◆

     Jean-Louis Forain, A la table de jeu (2e planche) (At the Gambling Table) (second plate), 1909, etching on wove paper, National Gallery of Art, Washington.

118. ◆

     Jean-Louis Forain, A la table de jeu (1ère planche) (At the Gambling Table) (first plate), 1909, etching and drypoint on wove paper, National Gallery of Art, Washington.

119. ◆

     Jean-Louis Forain, A la table de jeu (1ère planche) (At the Gambling Table) (first plate), 1909, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

120. ◆

     Jean-Louis Forain, A la table de jeu (At the Gambling Table), c. 1914, lithograph on laid paper, National Gallery of Art, Washington.

121. ◆

     Jean-Louis Forain, En cabinet particulier (1ère planche) (In a Private Room) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

122. ◆

     Jean-Louis Forain, En cabinet particulier (1ère planche) (In a Private Room) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

123. ◆

     Jean-Louis Forain, Le repos du modèle (2e planche) (The Model's Rest) (second plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

124. ◆

     Jean-Louis Forain, Le repos du modèle (1ère planche) (The Model's Rest) (first plate), 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

125. ◆

     Jean-Louis Forain, L'avocat parlant au prévenu (2e planche) (The Lawyer Talking to the Prisoner) (second plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

126. ◆

     Jean-Louis Forain, L'avocat parlant au prévenu (1ère planche) (The Lawyer Talking to the Prisoner) (first plate), 1909, drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

127. ◆

     Jean-Louis Forain, Le prévenu et l'enfant (The Prisoner and the Child), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

128. ◆

     Jean-Louis Forain, Le prévenu et l'enfant (The Prisoner and the Child), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

129. ◆

     Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

130. ◆

     Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

131. ◆

     Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

132. ◆

     Jean-Louis Forain, Le Christ dépouillé de se vêtements (Christ Stripped of His Clothes), 1909, transfer lithograph on laid Van Gelder paper, National Gallery of Art, Washington.

133. ◆

     Jean-Louis Forain, La sortie de l'audience (1ère planche) (Coming Out of the Hearing) (first plate), 1909, drypoint on wove paper, National Gallery of Art, Washington.

134. ◆

     Jean-Louis Forain, Le bon samaritain (The Good Samaritan), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

135. ◆

     Jean-Louis Forain, Le retour de l'enfant prodigue (3e planche) (The Return of the Prodigal Son) (third plate), 1909, etching on laid Van Gelder paper, National Gallery of Art, Washington.

136. ◆

     Jean-Louis Forain, Femme nue, assise sur son lit, de face (Nude Woman, Seated on Her Bed, Front View), 1909, etching and drypoint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington.

137. ◆

     Jean-Louis Forain, Baignoire au théatre (Lower Box at the Theater), 1909, etching and aquatint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington.

138. ◆

     Jean-Louis Forain, Le gros cigare (The Big Cigar), 1909, soft-ground etching and drypoint (zinc plate) on laid Van Gelder paper, National Gallery of Art, Washington.

139. ◆

     Jean-Louis Forain, La rencontre sous la voute (3e planche) (The Meeting under the Arch) (third plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington.

140. ◆

     Jean-Louis Forain, La rencontre sous la voute (2e planche) (The Meeting under the Arch) (second plate), 1910, drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

141. ◆

     Jean-Louis Forain, La rencontre sous la voute (1ère planche) (The Meeting under the Arch) (first plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington.

142. ◆

     Jean-Louis Forain, Le Christ portant sa croix (7e planche) (Christ Carrying the Cross) (seventh plate), c. 1910, etching and drypoint on wove paper, National Gallery of Art, Washington.

143. ◆

     Jean-Louis Forain, Scène d'audience (les deux avocats) (Scene of a Hearing (The Two Lawyers)), c. 1915, lithograph on wove paper, National Gallery of Art, Washington.

144. ◆

     Jean-Louis Forain, Ambroise Vollard, quatre esquisses (Ambroise Vollard, four sketches), c. 1910, lithograph on wove paper, National Gallery of Art, Washington.

145. ◆

     Jean-Louis Forain, Avant le repas à Emmaus (1ère planche) (Before the Supper at Emmaus) (first plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington.

146. ◆

     Jean-Louis Forain, Le Christ portant sa croix (5e planche) (Christ Carrying the Cross) (fifth plate), c. 1910, etching on laid paper, National Gallery of Art, Washington.

147. ◆

     Jean-Louis Forain, The Adulteress, c. 1910, pen and brown and grey ink on brown wove paper mounted on board, National Gallery of Art, Washington.

148. ◆

     Jean-Louis Forain, Before the Repast at Emmaus, c. 1910, brush and gray ink with brown and gray wash on wove paper, National Gallery of Art, Washington.

149. ◆

     Jean-Louis Forain, Le repas à Emmaus (2e planche) (The Supper at Emmaus) (second plate), 1910, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington.

150. ◆

     Jean-Louis Forain, Le repas à Emmaus (3e planche) (The Supper at Emmaus) (third plate), 1910, etching and drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

151. ◆

     Jean-Louis Forain, Portrait d'Ambroise Vollard (Portrait of Ambroise Vollard), c. 1910, lithograph on wove paper, National Gallery of Art, Washington.

152. ◆

     Jean-Louis Forain, Le femme adultère (3e planche) (The Adulteress) (third plate), 1910, drypoint in brown on wove paper, National Gallery of Art, Washington.

153. ◆

     Jean-Louis Forain, Pietà (3e planche) (Pietà) (third plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington.

154. ◆

     Jean-Louis Forain, Pietà (3e planche) (Pietà) (third plate), 1910, etching on laid Van Gelder paper, National Gallery of Art, Washington.

155. ◆

     Jean-Louis Forain, Pietà (1ère planche) (Pietà) (first plate), 1910, drypoint on wove paper, National Gallery of Art, Washington.

156. ◆

     Jean-Louis Forain, C'est fini!...(grande planche) (It is Finished!...) (large plate), 1910, drypoint on wove paper, National Gallery of Art, Washington.

157. ◆

     Jean-Louis Forain, Le Christ portant sa croix (4e planche) (Christ Carrying the Cross) (fourth plate), 1910, etching and drypoint in brown on laid Van Gelder paper, National Gallery of Art, Washington.

158. ◆

     Jean-Louis Forain, Evanouissement à l'audience (Fainting at the Hearing), 1910, etching and drypoint on on laid Van Gelder paper, National Gallery of Art, Washington.

159. ◆

     Jean-Louis Forain, En cabinet particulier (3e planche) (In a Private Room) (third plate), 1910, drypoint on laid Van Gelder paper, National Gallery of Art, Washington.

160. ◆

     Jean-Louis Forain, Femme nue vue de dos (Nude Woman Seen from the Back), 1910, drypoint and etching on laid Van Gelder paper, National Gallery of Art, Washington.

161. ◆

     Jean-Louis Forain, Femme nue passant sa chemise (Nude Woman Taking Off Her Chemise), c. 1910, drypoint on laid paper, National Gallery of Art, Washington.

162. ◆

     Jean-Louis Forain, First Exhibition of the Humorists, Palace of Style, 1911, lithograph [poster] in black and red on wove paper, National Gallery of Art, Washington.

163. ◆

     Jean-Louis Forain, "1er Salon des Humoristes, Palais des Modes (First Exhibition of the Humorists, Palace of Style), 1911, lithograph [poster] in black and red on wove paper, National Gallery of Art, Washington.

164. ◆

     Jean-Louis Forain, La repos en Egypte (The Rest in Egypt), c. 1916, etching on wove paper, National Gallery of Art, Washington.

165. ◆

     Jean-Louis Forain, First Exhibition of the Humorists, Palace of Style, 1911, lithograph [poster] in black and red on wove paper, National Gallery of Art, Washington.

166. ◆

     Jean-Louis Forain, First Exhibition of the Humorists, Palace of Style, 1911, lithograph [poster] in red and black on wove paper, National Gallery of Art, Washington.

167. ◆

     Jean-Louis Forain, Benediction a Lourdes, c. 1912, pen and brown ink, brown wash, and graphite on laid paper, National Gallery of Art, Washington.

168. ◆

     Jean-Louis Forain, Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed), 1912/1913, etching and drypoint on Van Gelder laid paper, National Gallery of Art, Washington.

169. ◆

     Jean-Louis Forain, Lourdes, transport des paralysées (Lourdes, Transport of the Paralyzed), 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington.

170. ◆

     Jean-Louis Forain, Avant la fête persanne, 1912, brush and black ink, wash, and black crayon on wove paper, National Gallery of Art, Washington.

171. ◆

     Jean-Louis Forain, The Supper at Emmaus, possibly c. 1912/1913, watercolor and colored chalks on laid Van Gelder paper, National Gallery of Art, Washington.

172. ◆

     Jean-Louis Forain, Forain gravant (1ère planche) (Forain Etching) (first plate), 1912, drypoint on laid paper, National Gallery of Art, Washington.

173. ◆

     Jean-Louis Forain, Portrait de Forain (Portrait of Forain), 1912, etching on wove paper, National Gallery of Art, Washington.

174. ◆

     Jean-Louis Forain, Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate), 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington.

175. ◆

     Jean-Louis Forain, Lourdes, la miraculée (1ère planche) (Lourdes, the Miracle) (first plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington.

176. ◆

     Jean-Louis Forain, The Miracle before the Blessed Sacrament (fourth plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington.

177. ◆

     Jean-Louis Forain, Lourdes, la paralytique (2e planche) (Lourdes, the Paralytic) (second plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington.

178. ◆

     Jean-Louis Forain, Le départ de l'enfant prodigue (1ère planche, en hauteur) (The Departure of the Prodigal Son) (first plate, vertical), probably 1912/1913, etching and drypoint on laid paper, National Gallery of Art, Washington.

179. ◆

     Jean-Louis Forain, Lourdes, l'imploration devant la Grotte (4e planche) (Lourdes, Imploring before the Grotto) (fourth plate), 1912/1913, etching on blue laid paper, National Gallery of Art, Washington.

180. ◆

     Jean-Louis Forain, Lourdes, la miraculée (2e planche) (Lourdes, the Miracle) (second plate), 1912/1913, etching and drypoint on wove paper, National Gallery of Art, Washington.

181. ◆

     Jean-Louis Forain, Pèlerins d'Emmaüs (Pilgrims at Emmaus), 1912/1913, etching, drypoint, and white and brown wash with graphite additions on laid paper, National Gallery of Art, Washington.

182. ◆

     Jean-Louis Forain, Le miraculé devant l'ostensoir (4e planche) (The Miracle before the Blessed Sacrament) (fourth plate), 1912/1913, etching on laid Van Gelder paper, National Gallery of Art, Washington.

183. ◆

     Jean-Louis Forain, Servir (To Serve), 1913, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington.

184. ◆

     Jean-Louis Forain, Servir (To Serve), 1913, lithograph [poster] in black and brown on wove paper, National Gallery of Art, Washington.

185. ◆

     Jean-Louis Forain, Les notables, c. 1914/1919, black crayon corrected and white gouache on wove paper, National Gallery of Art, Washington.

186. ◆

     Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in blue and black on wove paper, National Gallery of Art, Washington.

187. ◆

     Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in green and black on wove paper, National Gallery of Art, Washington.

188. ◆

     Jean-Louis Forain, Lourdes, 1914, 25th International Eucharistic Congress, 1914, lithograph [poster] in black on wove paper, National Gallery of Art, Washington.

189. ◆

     Jean-Louis Forain, Le decavé (Cleared Out), 1914, lithograph on laid paper, National Gallery of Art, Washington.

190. ◆

     Jean-Louis Forain, Salle de jeu (Gambling Room), 1914, lithograph on laid paper, National Gallery of Art, Washington.

191. ◆

     Jean-Louis Forain, Salle de jeu (Gambling Room), 1914, lithograph on laid paper, National Gallery of Art, Washington.

192. ◆

     Jean-Louis Forain, Suspension d'audience (Recess of the Hearing), 1914, lithograph on laid paper, National Gallery of Art, Washington.

193. ◆

     Jean-Louis Forain, L'avocat invectivé (The Lawyer Abused), 1914, lithograph on laid paper, National Gallery of Art, Washington.

194. ◆

     Jean-Louis Forain, Suspension d'audience (Recess of the Hearing), 1914, lithograph on laid paper, National Gallery of Art, Washington.

195. ◆

     Jean-Louis Forain, Marshal Petain, c. 1914/1919, watercolor and pen and black ink on wove paper, National Gallery of Art, Washington.

196. ◆

     Jean-Louis Forain, Elles étaient à lacets, c. 1914/1919, watercolor and black crayon on wove paper, National Gallery of Art, Washington.

197. ◆

     Jean-Louis Forain, En somme ca n'est que du "materiel humain.", c. 1914/1919, brush and black ink and black crayon on wove paper, National Gallery of Art, Washington.

198. ◆

     Jean-Louis Forain, Noyon, c. 1914/1919, brush and black ink and black crayon on laid paper, National Gallery of Art, Washington.

199. ◆

     Jean-Louis Forain, Ceux de la priemiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"?...", c. 1914/1919, black crayon and brush and black ink on wove paper, National Gallery of Art, Washington.

200. ◆

     Jean-Louis Forain, a) Looking for the Enemy (recto); b) Sketch for Looking for the Enemy (verso), c. 1914/1919, a) brush and black ink on wove paper; b) brush and black ink on wove paper, National Gallery of Art, Washington.