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Femme nue vue de dos (Nude Woman Seen from the Back), Jean-Louis Forain | Dartabase

Femme nue vue de dos (Nude Woman Seen from the Back), Jean-Louis Forain, 1910, drypoint and etching on laid Van Gelder paper

Femme nue vue de dos (Nude Woman Seen from the Back)

Jean-Louis Forain

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Artist: Jean-Louis Forain
Date: 1910
Medium: drypoint and etching on laid Van Gelder paper
Dimensions: plate: 14.1 × 10.5 cm (5 9/16 × 4 1/8 in.); sheet (irreg.): 48 × 36 cm (18 7/8 × 14 3/16 in.)
Location: National Gallery of Art

More works by Jean-Louis Forain

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Peur de Bourreau! Qu'est-ce que tu attends?..., Jean-Louis Forain, 1852, black crayon on wove paper

Peur de Bourreau! Qu'est-ce que tu attends?...

1852

black crayon on wove paper

National Gallery of Art

Public domain

Le cafe concert des reservistes, Jean-Louis Forain, 1852, watercolor on wove paper

Le cafe concert des reservistes

1852

watercolor on wove paper

National Gallery of Art

Public domain

Sur le canape, Jean-Louis Forain, 1852, brush and black ink and brown wash on laid paper

Sur le canape

1852

brush and black ink and brown wash on laid paper

National Gallery of Art

Public domain

a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso), Jean-Louis Forain, 1852, a) brush and black ink and graphite on wove paper; b) brush and black ink on wove paper

a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso)

1852

a) brush and black ink and graphite on wove paper; b) brush and black ink on wove paper

National Gallery of Art

Public domain

More from National Gallery of Art, 1910s

The Long Gallery, Louvre, James McNeill Whistler, 1894, lithograph in black on wove paper

The Long Gallery, Louvre

James McNeill Whistler · 1894

lithograph in black on wove paper

National Gallery of Art

Public domain

The Lacemaker, Anonymous Artist, c. 1925, oil on canvas

The Lacemaker

Anonymous Artist · c. 1925

oil on canvas

National Gallery of Art

Public domain

The Smiling Girl, Anonymous Artist, c. 1925, oil on canvas

The Smiling Girl

Anonymous Artist · c. 1925

oil on canvas

National Gallery of Art

Public domain

Perugino's Udienza del Cambio in the Collegio del Cambio, Perugia, John Russell Pope, 1896, graphite

Perugino's Udienza del Cambio in the Collegio del Cambio, Perugia

John Russell Pope · 1896

graphite

National Gallery of Art

Public domain

Credit

Rosenwald Collection

Exhibition history

Exhibition history not yet ingested for National Gallery of Art. View at source ↗

Cite this work

Jean-Louis Forain, Femme nue vue de dos (Nude Woman Seen from the Back), 1910, drypoint and etching on laid Van Gelder paper, National Gallery of Art, Washington.

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Consolation, Jean-Louis Forain, 1852, black crayon and brush and ink on wove paper

Consolation

1852

black crayon and brush and ink on wove paper

National Gallery of Art

Public domain

a) Chimney Corner (recto); b) Two Figures (verso), Jean-Louis Forain, 1852, a) pen and brown ink and brown wash on wove Chapron Coquelin paper; b) pen and brown ink on wove Chapron Coquelin paper

a) Chimney Corner (recto); b) Two Figures (verso)

1852

a) pen and brown ink and brown wash on wove Chapron Coquelin paper; b) pen and brown ink on wove Chapron Coquelin paper

National Gallery of Art

Public domain

To Each His Own, Jean-Louis Forain, 1852, brush and black ink on wove paper

To Each His Own

1852

brush and black ink on wove paper

National Gallery of Art

Public domain

At an Evening Party, Jean-Louis Forain, 1852, pen and brown ink on wove paper

At an Evening Party

1852

pen and brown ink on wove paper

National Gallery of Art

Public domain

Study of an Altarpiece and Ceiling Panels, John Russell Pope, 1896, graphite

Study of an Altarpiece and Ceiling Panels

John Russell Pope · 1896

graphite

National Gallery of Art

Public domain

Siena Brickwork, John Russell Pope, c. 1896, graphite

Siena Brickwork

John Russell Pope · c. 1896

graphite

National Gallery of Art

Public domain