H. C. Westermann

How to cite works by H. C. Westermann

Example citation for Uncommitted Little Chicago Child. Switch format, then copy.

H. C. Westermann, Uncommitted Little Chicago Child, 1957, Oak, maple, metal clock face, and paper découpage, Art Institute of Chicago, Chicago.

Dartabase holds 20 works by H. C. Westermann. Full catalogue on Wikidata ↗

1. ◆

   H. C. Westermann, Uncommitted Little Chicago Child, 1957, Oak, maple, metal clock face, and paper découpage, Art Institute of Chicago, Chicago.

2. ◆

   H. C. Westermann, The Mysteriously Abandoned New Home, 1958, Pine, birch, vermillion, redwood, glass, paint, and wheels, Art Institute of Chicago, Chicago.

3. ◆

   H. C. Westermann, Angry Young Machine, 1959, Pine, plywood, galvanized iron pipe and fittings, faucet handle, cast-lead soldier, aluminum alkyd enamel, and wheels, Art Institute of Chicago, Chicago.

4. ◆

   H. C. Westermann, Object under Pressure, 1960, Douglas fir, metal, and pressure gauge, Art Institute of Chicago, Chicago.

5. ◆

   H. C. Westermann, The Night Life, 1963, Plate-glass mirror, fir, Masonite, brass plate, rubber bumpers, and ink, Art Institute of Chicago, Chicago.

6. ◆

   H. C. Westermann, The Sonic Boom, 1963, Wood, plate-glass mirror, bubinga, paint, and ink, Art Institute of Chicago, Chicago.

7. ◆

   H. C. Westermann, The Big Change, 1963, Douglas-fir marine plywood, Masonite, and ink, Art Institute of Chicago, Chicago.

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   H. C. Westermann, Eclipse #1, 1963, Pine, plate-glass mirror, paint, brass plate, and rubber bumpers, Art Institute of Chicago, Chicago.

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   H. C. Westermann, World's Strongest Glue, 1966, Solid cast bronze, brass, and paint, Art Institute of Chicago, Chicago.

10. ◆

    H. C. Westermann, Rotting Jet Wing, 1966, Pine, plate glass, felt, and copper, Art Institute of Chicago, Chicago.

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    H. C. Westermann, Homage to American Art (Dedicated to Elie Nadelman), 1966, Douglas fir, ash, cast lead, and antique shovel handle, Art Institute of Chicago, Chicago.

12. ◆

    H. C. Westermann, Wet Flower, 1968, Wood, glass, Connecticut fieldstone, linoleum, dried roots, putty, and varnish., Art Institute of Chicago, Chicago.

13. ◆

    H. C. Westermann, Control, 1968, Wood, plate glass, tar, chicken feathers, sheet copper, brass, and solder, Art Institute of Chicago, Chicago.

14. ◆

    H. C. Westermann, Little Egypt, 1969, Douglas fir, pine, oak and bronze, Art Institute of Chicago, Chicago.

15. ◆

    H. C. Westermann, Untitled (Second Peanut), 1973, Eastern pine, walnut, and rubber bumpers, Art Institute of Chicago, Chicago.

16. ◆

    H. C. Westermann, Hutch the One Armed Astro-Turf Man With a Defense, 1976, AstroTurf, pine, aspen, ash, chestnut, and saplings, Art Institute of Chicago, Chicago.

17. ◆

    H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York.

18. ◆

    H. C. Westermann, Dovetailed House, 1979, Pine, enamel, plate glass, linoleum, and cast lead, Art Institute of Chicago, Chicago.

19. ◆

    H. C. Westermann, Death Ship, Out of San Pedro, Adrift, 1980, Ebony, brass, copper, and solder, Art Institute of Chicago, Chicago.

20. ◆

    H. C. Westermann, Jack of Diamonds, 1981, Galvanized wire lath, galvanized sheet metal, galvanized corner beading, oak, pine, vermillion, and brass, Art Institute of Chicago, Chicago.