H. C. Westermann, Uncommitted Little Chicago Child, 1957, Oak, maple, metal clock face, and paper découpage, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270966

H. C. Westermann, The Mysteriously Abandoned New Home, 1958, Pine, birch, vermillion, redwood, glass, paint, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/15566

H. C. Westermann, Angry Young Machine, 1959, Pine, plywood, galvanized iron pipe and fittings, faucet handle, cast-lead soldier, aluminum alkyd enamel, and wheels, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/48518

H. C. Westermann, Object under Pressure, 1960, Douglas fir, metal, and pressure gauge, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270954

H. C. Westermann, The Night Life, 1963, Plate-glass mirror, fir, Masonite, brass plate, rubber bumpers, and ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270959

H. C. Westermann, The Sonic Boom, 1963, Wood, plate-glass mirror, bubinga, paint, and ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270967

H. C. Westermann, The Big Change, 1963, Douglas-fir marine plywood, Masonite, and ink, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270955

H. C. Westermann, Eclipse #1, 1963, Pine, plate-glass mirror, paint, brass plate, and rubber bumpers, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270965

H. C. Westermann, World's Strongest Glue, 1966, Solid cast bronze, brass, and paint, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270968

H. C. Westermann, Rotting Jet Wing, 1966, Pine, plate glass, felt, and copper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270960

H. C. Westermann, Homage to American Art (Dedicated to Elie Nadelman), 1966, Douglas fir, ash, cast lead, and antique shovel handle, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270961

H. C. Westermann, Wet Flower, 1968, Wood, glass, Connecticut fieldstone, linoleum, dried roots, putty, and varnish., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270962

H. C. Westermann, Control, 1968, Wood, plate glass, tar, chicken feathers, sheet copper, brass, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270963

H. C. Westermann, Little Egypt, 1969, Douglas fir, pine, oak and bronze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270956

H. C. Westermann, Untitled (Second Peanut), 1973, Eastern pine, walnut, and rubber bumpers, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270969

H. C. Westermann, Hutch the One Armed Astro-Turf Man With a Defense, 1976, AstroTurf, pine, aspen, ash, chestnut, and saplings, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270957

H. C. Westermann, The Nightbird, 1978, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33462

H. C. Westermann, Dovetailed House, 1979, Pine, enamel, plate glass, linoleum, and cast lead, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270964

H. C. Westermann, Death Ship, Out of San Pedro, Adrift, 1980, Ebony, brass, copper, and solder, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270951

H. C. Westermann, Jack of Diamonds, 1981, Galvanized wire lath, galvanized sheet metal, galvanized corner beading, oak, pine, vermillion, and brass, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/270958