William Blake

St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?

?c.1779–80

Ink on paper. Verso: graphite on paper

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Lower Half of a Woman Playing a Harp. Verso: Seraphim and Other Drawings

c.1785, c.?1807

Graphite on paper. Verso: graphite on paper

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Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’

c.1786–9

Graphite on paper. Verso: graphite on paper

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‘Songs of Innocence’: Title-Page

1789, reprinted 1831 or later

Relief etching on paper

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Two Figures in a Decorative Border

c.1790

Graphite on paper

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‘Songs of Innocence and of Experience’: ‘Spring’

1794, reprinted 1831 or later

Relief etching on paper

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Urizen

1794

Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

Art Institute of Chicago

CC0

‘Europe’: Fragment of Pages 3 and 4

1794–c.1830–5

Relief etching and watercolour on paper

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Songs of Innocence and of Experience: Infant Sorrow

1794, reprinted 1831 or later

Relief etching on paper

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‘Songs of Innocence and of Experience’: ‘Infant Sorrow’

1794, reprinted 1831 or later

Relief etching on paper

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St. Matthew

1799

tempera on canvas

Cleveland Museum of Art

CC0

Composition Sketch, Possibly a Subject from Dante. Verso: A Man Standing over a Figure Reclining on a Bed

?1824–7, ?c.1800–10

Graphite on paper. Verso: graphite on paper

Tate

Landscape near Felpham

c.1800

Graphite and watercolour on paper

Tate

The Holy Family (Christ in the Lap of Truth)

c. 1805

black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green wash

Cleveland Museum of Art

CC0

Sketch for ‘The Four and Twenty Elders Casting their Crowns before the Divine Throne’. Verso: Standing Figure with Arms at his Side

c.1803, c.1805–10

Graphite on paper. Verso: graphite on paper

Tate

Composition Sketch for ‘The Fall of the Rebel Angels’? Verso: Standing Figure with Flaming Hair

?c.1805–10

Graphite on paper. Verso: graphite on paper

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Preliminary Sketch for ‘Christ Girding Himself with Strength’. Verso: Standing Figure with One Arm Raised

c.1805, c.1805–10

Graphite on paper. Verso: graphite on paper

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Composition Sketch. Verso: Standing Figure Holding a Spear

?c.1805–10

Graphite on paper. Verso: graphite on paper

Tate

Sabrina’s Silvery Flood

c. 1821, printed 1830

Wood engraving on paper

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Colinet’s ‘Fond Desire Strange Lands to Know’

c. 1821, printed 1830

Wood engraving on paper

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‘A Rolling Stone is ever Bare of Moss’

c. 1821, printed 1830

Wood engraving on paper

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‘For him Our Yearly Wakes and Feasts We Hold’

c. 1821, printed 1830

Wood engraving on paper

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Colinet with his Shepherd’s Pipe, Mocked by Two Boys

c. 1821, printed 1830

Wood engraving on paper

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Colinet Rests by a Stream at Night

c. 1821, printed 1830

Wood engraving on paper

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Thenot, with Colinet Waving his Arms in Sorrow

c. 1821, printed 1830

Wood engraving on paper

Tate

Thenot Remonstrates with Colinet; Lightfoot in the Distance

c. 1821, printed 1830

Wood engraving on paper

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Thenot and Colinet Converse Seated between Two Trees

c. 1821, printed 1830

Wood engraving on paper

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‘And Unyok’d Heifers, Loitering Homeward, Low’

c. 1821, printed 1830

Wood engraving on paper

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‘With Songs the Jovial Hinds Return from Plow’

c. 1821, printed 1830

Wood engraving on paper

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Thenot and Colinet at Supper

c. 1821, printed 1830

Wood engraving on paper

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Thenot Remonstrates with Colinet

c. 1821, printed 1830

Wood engraving on paper

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Frontispiece: Thenot and Colinet

c.1821, printed 1830

Wood engraving on paper

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Thenot and Colinet Folding their Flocks together at Sunset

c. 1821, printed 1830

Wood engraving on paper

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The Blighted Corn

c. 1821, printed 1830

Wood engraving on paper

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‘Nor Fox, nor Wolf, nor Rat among our Sheep’

c. 1821, printed 1830

Wood engraving on paper

Tate

Job and His Wife Restored to Prosperity

1825

engraving on India paper

National Gallery of Art

Public domain

Satan before the Throne of God

1825, reprinted 1874

Line engraving on paper

Tate

Job’s Sons and Daughters Overwhelmed by Satan

1825, reprinted 1874

Line engraving on paper

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The Messengers tell Job of his Misfortunes

1825, reprinted 1874

Line engraving on paper

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Satan Going Forth from the Presence of the Lord, and Job’s Charity

1825, reprinted 1874

Line engraving on paper

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Satan Smiting Job with Sore Boils

1825, reprinted 1874

Line engraving on paper

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Job’s Comforters

1825, reprinted 1874

Line engraving on paper

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Job’s Despair

1825, reprinted 1874

Line engraving on paper

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The Vision of Eliphaz

1825, reprinted 1874

Line engraving on paper

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Job Rebuked by his Friends

1825, reprinted 1874

Line engraving on paper

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Job’s Evil Dreams

1825, reprinted 1874

Line engraving on paper

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The Wrath of Elihu

1825, reprinted 1874

Line engraving on paper

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The Lord Answering Job out of the Whirlwind

1825, reprinted 1874

Line engraving on paper

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When the Morning Stars Sang Together

1825, reprinted 1874

Line engraving on paper

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Behemoth and Leviathan

1825, reprinted 1874

Line engraving on paper

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The Fall of Satan

1825, reprinted 1874

Line engraving on paper

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The Vision of Christ

1825, reprinted 1874

Line engraving on paper

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Job’s Sacrifice

1825, reprinted 1874

Line engraving on paper

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Job and his Daughters

1825, reprinted 1874

Line engraving on paper

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Job and his Family Restored to Prosperity

1825, reprinted 1874

Line engraving on paper

Tate

The Crucifixion

c.1825–7

Graphite on paper

Tate

Satan Going Forth from the Presence of the Lord

1825

engraving on India paper

National Gallery of Art

Public domain

Satan Smiting Job with Boils

1825

engraving on India paper

National Gallery of Art

Public domain

Job's Comforters

1825

engraving on India paper

National Gallery of Art

Public domain

Job's Despair

1825

engraving on India paper

National Gallery of Art

Public domain

The Vision of Eliphaz

1825

engraving on India paper

National Gallery of Art

Public domain

Job Rebuked by His Friends

1825

engraving

National Gallery of Art

Public domain

Job's Evil Dreams

1825

engraving on India paper

National Gallery of Art

Public domain

The Wrath of Elihu

1825

engraving on India paper

National Gallery of Art

Public domain

The Lord Answering Job out of the Whirlwind

1825

engraving on India paper

National Gallery of Art

Public domain

The Creation

1825

engraving on India paper

National Gallery of Art

Public domain

Behemoth and Leviathan

1825

engraving on India paper

National Gallery of Art

Public domain

The Vision of God

1825

engraving on India paper

National Gallery of Art

Public domain

Job's Sacrifice

1825

engraving on India paper

National Gallery of Art

Public domain

Job Accepting Charity

1825

engraving on India paper

National Gallery of Art

Public domain

Job and His Daughters

1825

engraving on India paper

National Gallery of Art

Public domain

The Fall of Satan

1825

engraving on India paper

National Gallery of Art

Public domain

Job and His Family

1825

engraving on India paper

National Gallery of Art

Public domain

Title-Page of the Engraved Illustrations to the Book of Job

1825

engraving on India paper

National Gallery of Art

Public domain

Satan Before the Throne of God

1825

engraving on India paper

National Gallery of Art

Public domain

The Destruction of Job's Sons

1825

engraving on India paper

National Gallery of Art

Public domain

The Messengers Tell Job of His Misfortunes

1825

engraving on India paper

National Gallery of Art

Public domain

Dante Striking against Bocca Degli Abati

1826–7, reprinted 1892

Line engraving on paper

Tate

The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’)

1826–7, reprinted 1892

Line engraving on paper

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The Pit of Disease: The Falsifiers

1826–7, reprinted 1892

Line engraving on paper

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The Serpent Attacking Buoso Donati

1826–7, reprinted 1892

Line engraving on paper

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The Six-Footed Serpent Attacking Agnolo Brunelleschi

1826–7, reprinted 1892

Line engraving on paper

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The Baffled Devils Fighting

1826–7, reprinted 1892

Line engraving on paper

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Ciampolo the Barrator Tormented by the Devils

1826–7, reprinted 1892

Line engraving on paper

Tate

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st

1827

engraving

National Gallery of Art

Public domain

The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate

1827

engraving

National Gallery of Art

Public domain

The Circle of the Lustful: Paolo and Francesca

1827

engraving

National Gallery of Art

Public domain

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo

1827

engraving

National Gallery of Art

Public domain

The Circle of the Corrupt Officials; the Devils Mauling Each Other

1827

engraving

National Gallery of Art

Public domain

The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent

1827

engraving

National Gallery of Art

Public domain

The Circle of the Thieves; Buoso Donati Attacked by the Serpent

1827

engraving

National Gallery of Art

Public domain

Job and his Family

1828, reprinted 1874

Line engraving on paper

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