Skip to main content
dartabase
← Back
Ciampolo the Barrator Tormented by the Devils

Ciampolo the Barrator Tormented by the Devils

William Blake

Cite ↓
Artist
William Blake
Date
1826–7, reprinted 1892
Movement
Romanticism · fairy painting
Medium
Line engraving on paper
Dimensions
image: 240 x 338 mm
Location
Tate
Credit
Purchased with the assistance of a special grant from the National Gallery and donations from the Art Fund, Lord Duveen and others, and presented through the the Art Fund 1919

Exhibition history

Exhibition history not yet ingested for Tate. View at source ↗

Cite this work

William Blake, Ciampolo the Barrator Tormented by the Devils, 1826–7, reprinted 1892, Line engraving on paper, Tate, London.

Stable URL (what's this?)

https://dartabase.art/cite/tate/A00006

Purchased with the assistance of a special grant from the National Gallery and donations from the Art Fund, Lord Duveen and others, and presented through the the Art Fund 1919

Metadata sourced from Tate open data collection

Image rights: Tate

View source record ↗How to cite ↓Suggest a correction ↗

More works by William Blake

See all 95 →
St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?

St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?

?c.1779–80

Ink on paper. Verso: graphite on paper

Tate

Lower Half of a Woman Playing a Harp. Verso: Seraphim and Other Drawings

Lower Half of a Woman Playing a Harp. Verso: Seraphim and Other Drawings

c.1785, c.?1807

Graphite on paper. Verso: graphite on paper

Tate

Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’

Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’

c.1786–9

Graphite on paper. Verso: graphite on paper

Tate

‘Songs of Innocence’: Title-Page

‘Songs of Innocence’: Title-Page

1789, reprinted 1831 or later

Relief etching on paper

Tate

Two Figures in a Decorative Border

Two Figures in a Decorative Border

c.1790

Graphite on paper

Tate

‘Songs of Innocence and of Experience’: ‘Spring’

‘Songs of Innocence and of Experience’: ‘Spring’

1794, reprinted 1831 or later

Relief etching on paper

Tate

Urizen

Urizen

1794

Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

Art Institute of Chicago

CC0

‘Europe’: Fragment of Pages 3 and 4

‘Europe’: Fragment of Pages 3 and 4

1794–c.1830–5

Relief etching and watercolour on paper

Tate

Works in the same movement

The Burning of the Houses of Lords and Commons, 16 October 1834

The Burning of the Houses of Lords and Commons, 16 October 1834

Joseph Mallord William Turner · 1835

oil on canvas

Cleveland Museum of Art

CC0

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)

John Constable · 1818

Oil on canvas

The Metropolitan Museum of Art

CC0

Salisbury Cathedral from the Bishop's Grounds

Salisbury Cathedral from the Bishop's Grounds

John Constable · c. 1825

Oil on canvas

The Metropolitan Museum of Art

CC0

Stoke-by-Nayland

Stoke-by-Nayland

John Constable · c. 1810–11

Oil on canvas

The Metropolitan Museum of Art

CC0

Basket of Flowers

Basket of Flowers

Eugène Delacroix · 1848–49

Oil on canvas

The Metropolitan Museum of Art

CC0

Christ Asleep during the Tempest

Christ Asleep during the Tempest

Eugène Delacroix · c. 1853

Oil on canvas

The Metropolitan Museum of Art

CC0