Composition Sketch, Possibly a Subject from Dante. Verso: A Man Standing over a Figure Reclining on a Bed

St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?

?c.1779–80

Ink on paper. Verso: graphite on paper

Tate

Lower Half of a Woman Playing a Harp. Verso: Seraphim and Other Drawings

c.1785, c.?1807

Graphite on paper. Verso: graphite on paper

Tate

Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’

c.1786–9

Graphite on paper. Verso: graphite on paper

Tate

‘Songs of Innocence’: Title-Page

1789, reprinted 1831 or later

Relief etching on paper

Tate

Two Figures in a Decorative Border

c.1790

Graphite on paper

Tate

‘Songs of Innocence and of Experience’: ‘Spring’

1794, reprinted 1831 or later

Relief etching on paper

Tate

Urizen

1794

Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

Art Institute of Chicago

CC0

‘Europe’: Fragment of Pages 3 and 4

1794–c.1830–5

Relief etching and watercolour on paper

Tate

Elizabeth Shewell West and Her Son, Raphael

Benjamin West · c. 1770

oil on canvas

Cleveland Museum of Art

CC0

The Burning of the Houses of Lords and Commons, 16 October 1834

Joseph Mallord William Turner · 1835

oil on canvas

Cleveland Museum of Art

CC0

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856)

John Constable · 1818

Oil on canvas

The Metropolitan Museum of Art

CC0

Salisbury Cathedral from the Bishop's Grounds

John Constable · c. 1825

Oil on canvas

The Metropolitan Museum of Art

CC0

Stoke-by-Nayland

John Constable · c. 1810–11

Oil on canvas

The Metropolitan Museum of Art

CC0

Madame Henri François Riesener (Félicité Longrois, 1786–1847)

Eugène Delacroix · 1835

Oil on canvas

The Metropolitan Museum of Art

CC0