museum

The Museum of Modern Art

New York, United States200 works in Dartabase

Museum in New York, United States.

Visit the official collection ↗

Works held

Untitled, plate 5 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint

The Museum of Modern Art

Untitled, plate 4 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint

The Museum of Modern Art

Untitled, plate 6 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint

The Museum of Modern Art

Untitled, plate 2 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint, monotype, and embossing

The Museum of Modern Art

Untitled, plate 1 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint

The Museum of Modern Art

Untitled, plate 8 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint and roulette

The Museum of Modern Art

Untitled, plate 3 of 9, from the portfolio, Ode à ma mère

Louise Bourgeois · 1995

Drypoint

The Museum of Modern Art

Untitled, plate 9 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint

The Museum of Modern Art

Untitled, plate 7 of 9, from the portfolio, Ode à Ma Mère

Louise Bourgeois · 1995

Drypoint

The Museum of Modern Art

Camcorder 9

Tony Oursler · 1993

Watercolor and graphite on paper, laminated

The Museum of Modern Art

Popeye

Raymond Pettibon · 1991

Ink on colored paper

The Museum of Modern Art

Fourteen Etchings 5

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 6

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 2

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 11

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 13

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 10

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 7

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 3

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 12

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings

Terry Winters · 1989

Portfolio of fourteen etching and aquatints, thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 4

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 9

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 14

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 1

Terry Winters · 1989

One etching and aquatint from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Fourteen Etchings 8

Terry Winters · 1989

One etching, aquatint and photogravure from a portfolio of fourteen etching and aquatints thirteen with photogravure

The Museum of Modern Art

Reconciliation (for Parkett no. 9)

Francesco Clemente · 1986

Drypoint bound into journal

The Museum of Modern Art

Untitled (Abstract Drawing)

Ronald Bladen · 1984

Graphite on paper

The Museum of Modern Art

Unbound plate from Nevelson's World

Louise Nevelson · 1983

Screenprint

The Museum of Modern Art

Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature)

Varvara Rodchenko · 1980

Lithograph

The Museum of Modern Art

Instant House #2, Drawing

Vito Acconci · 1980

Colored ink and pencil on paper

The Museum of Modern Art

Diver

Eric Fischl · 1980

Oil wash on paper

The Museum of Modern Art

Printer's proof for cover for Neokonchennye spory (Unfinished Argument)

Varvara Rodchenko · c. 1978

Letterpress

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Music on the Gallery

Romare Bearden · 1975

Monotype with pencil additions

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

Portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Untitled from Found Masks 1975–1978

Kirsten Hawthorne · 1975–78, published 1978

One from a portfolio of 29 photocopies

The Museum of Modern Art

Cover for Evgenii Vinkour

Varvara Rodchenko · 1974

Lithograph

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Certificate of Authenticity

José Luis Cuevas · 1973

Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Dr. Shimon Agranat (plate 2) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Jerusalem Faces

Oskar Kokoschka · (1973–1974, prints executed 1973)

Portfolio of six lithographs

The Museum of Modern Art

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Portfolio 2, Folder 9 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 8 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 11 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 21 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 7 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 24 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 13 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 16 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 15 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 14 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Traces Suspectes en Surface

Robert Rauschenberg · 1972–78, published 1978

Illustrated book with twenty-six lithographs (including four colophon pages)

The Museum of Modern Art

Portfolio 1, Folder 18 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 32 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 33 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 5 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 27 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

$Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation$

Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 29 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 18 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 17 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 31 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 25 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 14 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 26 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 12 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 10 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 30 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 5 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 6 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 26 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 20 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 4 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 2 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 9 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 33 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 31 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 29 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 19 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 28 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 27 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 25 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 24 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 23 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 21 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 20 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 19 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 17 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 16 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 15 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 13 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 12 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 11 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 8 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 7 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 6 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 4 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 3 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 2 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 30 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 1 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 23 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 1 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 1, Folder 22 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 22 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Portfolio 2, Folder 3 from Formulation: Articulation

Josef Albers · 1972

Screenprinted folder from a two-part portfolio of 66 screenprinted folders

The Museum of Modern Art

Plate (folio 14) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus)

Sigmar Polke · 1971

Offset lithograph from an illustrated book with suite of three screenprints, two offset lithographs, and one etching

The Museum of Modern Art

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 6) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Gold Standard from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Screen from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Three Axes from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Follow Me from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Glide from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Chevelere Assigne from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Two Tunnels from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Plate VIII from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Plate IX from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Headers from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Trace from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Plate VI from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Plate VII from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Witness

Gerald Laing · 1968

Portfolio of ten screenprints with collage additions

The Museum of Modern Art

Plate X from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Plate III from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Plate II from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Plate IV from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Wrinkle

Liliana Porter · 1968

Portfolio of ten photogravures

The Museum of Modern Art

Outside James' Showcase

Pierre Alechinsky · 1968

Ink on mulberry paper

The Museum of Modern Art

Plate V from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Plate I from Wrinkle

Liliana Porter · 1968

One from a portfolio of ten photogravures

The Museum of Modern Art

Two Players from Witness

Gerald Laing · 1968

One from a portfolio of ten screenprints with collage additions

The Museum of Modern Art

Preparatory drawing for In Memory of My Feelings

Lee Krasner · 1967

Gouache on two sheets of acetate

The Museum of Modern Art

Skin from Artists and Writers Protest against the War in Vietnam

Irving Petlin · 1967

Lithograph from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

Unused preparatory drawing for In Memory of My Feelings

Lee Krasner · 1967

Gouache on acetate

The Museum of Modern Art

Untitled from Artists and Writers against the War in Vietnam

Ad Reinhardt · 1967

Screenprint with collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

Composition from Artists and Writers Protest against the War in Vietnam

Louise Nevelson · 1967

Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

White-Out from Artists and Writers Protest against the War in Vietnam

Rudolf Baranik · 1967

Etching from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

Untitled from Artists and Writers Protest against the War in Vietnam

George Sugarman · 1967

Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

Literal Dimensions from Artists and Writers Protest against the War in Vietnam

Jack Sonenberg · 1967

Screenprint with die-cut and collage additions from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

Red Figure from Artists and Writers Protest against the War in Vietnam

Charles Hinman · 1967

Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

Title page from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Secrets of the Internal Combustion Engine from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy

Shuzo Takiguchi · 1967, published 1968

Lenticular print on board

The Museum of Modern Art

Moonstrips Empire News

Eduardo Paolozzi · 1967

Portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Colophon from Moonstrips Empire News

Eduardo Paolozzi · 1967

One from a portfolio of 101 screenprints (including title page and colophon)

The Museum of Modern Art

Untitled from Artists and Writers Protest against the War in Vietnam

David Weinrib · 1967

Screenprint from a portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching

The Museum of Modern Art

+ 7 metadata-only matchesshow

Metadata only · no published image

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