Ode à Ma Mère

Louise Bourgeois

Metadata only

We mirror only what an institution itself has openly published. For this work, the image stays with the source. Follow the link below to view it there.

Ode à Ma Mère

Louise Bourgeois

Cite ↓

Artist: Louise Bourgeois
Date: 1995
Movement: surrealism · abstract expressionism · modernism
Medium: Portfolio with 9 compositions: 9 drypoints, 1 with monoprinting and embossing, plus 1 with roulette
Dimensions: sheet (each): 11 13/16 x 11 13/16" (30 x 30 cm)
Location: The Museum of Modern Art
Credit: Gift of the artist

Exhibition history

Exhibition history not yet ingested for The Museum of Modern Art. View at source ↗

Cite this work

Louise Bourgeois, Ode à Ma Mère, 1995, Portfolio with 9 compositions: 9 drypoints, 1 with monoprinting and embossing, plus 1 with roulette, The Museum of Modern Art, New York.

Stable URL (what's this?)

https://dartabase.art/cite/moma/10999

Gift of the artist

Metadata sourced from The Museum of Modern Art open data collection

Image rights: unknown

View source record ↗How to cite ↓Suggest a correction ↗

More works by Louise Bourgeois

See all 71 →

Amoeba

1963–5, cast 1984

Bronze

Tate

Avenza

1968–9, cast 1992

Plaster and latex

Tate

Cell (Eyes and Mirrors)

1989–93

Steel, limestone and glass

Tate

Mamelles

1991, cast 2001

Rubber, fibreglass and wood

Tate

Untitled (Safety Pins)

1991

Drypoint on paper

Tate

Sleeping Man

1994

Drypoint on paper

Tate

Woman and Clock

1994

Drypoint and aquatint on paper

Tate

Boy and Girl

1994

Drypoint on paper

Tate

Works in the same movement

Plate I from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate X from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art

Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore)

Joan Miró · 1957

Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching

The Museum of Modern Art