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Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

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The collection

190 works match your filters.

Medium:Print72 Painting61 Textile16 Sculpture6 Drawing3 Ceramics1

Image

With image190
All201
Metadata only11

Year range

to

Decade

1940s3
1930s1
1920s1
1880s1
1830s1
1800s1
1790s3
1770s1
1760s4
1750s2
1740s1
1710s1
1700s1
1680s2
1670s2
1660s2
1650s3
1640s5
1630s11
1620s23
1610s13
1600s4
1590s3
1580s30
1570s8

Medium

Painting61
Print72
Drawing3
Sculpture6
Ceramics1
Textile16

Institution

National Gallery of Art84
Minneapolis Institute of Art34
The Metropolitan Museum of Art22
Harvard Art Museums13
Cleveland Museum of Art12
Städel Museum8
Statens Museum for Kunst (National Gallery of Denmark)5
The Museum of Modern Art5
Walters Art Museum4
Cooper Hewitt, Smithsonian Design Museum2
National Museum of African American History and Culture1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Baroque painting29
Baroque16
Flemish Baroque painting16
American Impressionism1

Exhibition History

Has exhibition record10

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions10 works

The Port, Joaquín Torres-García, 1942, Oil on board

The Port

Joaquín Torres-García · 1942

Oil on board

The Museum of Modern Art

Aunt Juliana, Gustavo Lazarini Terradas, 1941, Watercolor on paper

Aunt Juliana

Gustavo Lazarini Terradas · 1941

Watercolor on paper

The Museum of Modern Art

Old-Fashioned Lady (Dama Antigua), Gustavo Lazarini Terradas, 1941, Gouache and watercolor on paper

Old-Fashioned Lady (Dama Antigua)

Gustavo Lazarini Terradas · 1941

Gouache and watercolor on paper

The Museum of Modern Art

Composition, Joaquín Torres-García, 1932, Ink and pencil on brown paper

Composition

Joaquín Torres-García · 1932

Ink and pencil on brown paper

The Museum of Modern Art

Creole Dance, Pedro Figari, c. 1925, Oil on board

Creole Dance

Pedro Figari · c. 1925

Oil on board

The Museum of Modern Art

Greek-style side chair, Designer: E. W. (Edward William) Godwin, c. 1885, Walnut and reproduction silk upholstery

Greek-style side chair

Designer: E. W. (Edward William) Godwin · c. 1885

Walnut and reproduction silk upholstery

Minneapolis Institute of Art

CC0

Pillar print, England, c. 1830, Cotton: roller and block printed

Pillar print

England · c. 1830

Cotton: roller and block printed

Minneapolis Institute of Art

CC0

Rummer, England, c. 1800–1820, Glass

Rummer

England · c. 1800–1820

Glass

Minneapolis Institute of Art

CC0

Louis XVI, Louis Legoux, 1793, stipple engraving on silk satin

Louis XVI

Louis Legoux · 1793

stipple engraving on silk satin

National Gallery of Art

Public domain

Marie Antoinette d'Autriche (Marie Antoinette of Austria), Louis Legoux, 1793, stipple engraving on silk satin

Marie Antoinette d'Autriche (Marie Antoinette of Austria)

Louis Legoux · 1793

stipple engraving on silk satin

National Gallery of Art

Public domain

Plate from the Hope dinner service, Decorator: John Pennington, 1790, Porcelain, enamel, gilt

Plate from the Hope dinner service

Decorator: John Pennington · 1790

Porcelain, enamel, gilt

Minneapolis Institute of Art

CC0

Cordial glass, England, c. 1770–90, Lead glass

Cordial glass

England · c. 1770–90

Lead glass

Minneapolis Institute of Art

CC0

Charles de Marquetel de Saint-Denis, Wedgwood, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.)

Charles de Marquetel de Saint-Denis

Wedgwood · 1767–1780

Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.)

Cooper Hewitt, Smithsonian Design Museum

CC0

Flavian Julia Helena, Wedgwood, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.)

Flavian Julia Helena

Wedgwood · 1767–1780

Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.)

Cooper Hewitt, Smithsonian Design Museum

CC0

Cordial glass, England, c. 1765, Lead glass

Cordial glass

England · c. 1765

Lead glass

Minneapolis Institute of Art

CC0

Wine glass, England, c. 1765, Lead glass

Wine glass

England · c. 1765

Lead glass

Minneapolis Institute of Art

CC0

The Forge, Léonard Defrance, 1755, Oil on wood

The Forge

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

The Rope Dance, Léonard Defrance, 1755, Oil on wood

The Rope Dance

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

Goblet, England, c. 1745–65, Lead glass

Goblet

England · c. 1745–65

Lead glass

Minneapolis Institute of Art

CC0

Monteith Bowl, Benjamin Pyne, 1715–16, silver gilt

Monteith Bowl

Benjamin Pyne · 1715–16

silver gilt

Cleveland Museum of Art

CC0

4 shows

Nicolas de Blampignon, Gerard Edelinck, 1702, engraving

Nicolas de Blampignon

Gerard Edelinck · 1702

engraving

National Gallery of Art

Public domain

Landscape of the Roman ""Compagna"", Jan Frans van Bloemen, c. 1700–1740 (Baroque), oil on panel

Landscape of the Roman ""Compagna""

Jan Frans van Bloemen · c. 1700–1740 (Baroque)

oil on panel

Walters Art Museum

A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts, Thomas Holme, c. 1687, engraving

A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts

Thomas Holme · c. 1687

engraving

National Gallery of Art

Public domain

Remi Du Laury, Gerard Edelinck, probably 1679, engraving

Remi Du Laury

Gerard Edelinck · probably 1679

engraving

National Gallery of Art

Public domain

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