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The collection

34 works match your filters.

Medium:Painting5 Textile4 Print3 Drawing3 Sculpture2 Ceramics1

Image

With image34
All40
Metadata only6

Year range

to

Decade

1970s2
1960s2
1950s1
1880s1
1830s2
1800s1
1790s3
1780s1
1770s1
1760s4
1740s1
1710s1
1680s1
1660s1
1650s2
1590s1
1580s2

Medium

Painting5
Print3
Drawing3
Sculpture2
Ceramics1
Textile4

Institution

Minneapolis Institute of Art20
The Museum of Modern Art5
National Gallery of Art4
Cooper Hewitt, Smithsonian Design Museum2
Cleveland Museum of Art1
National Museum of African American History and Culture1
Städel Museum1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

German Romanticism1

Exhibition History

Has exhibition record1

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions1 works

Notes 4 (C. I. A. Brand Bananas)

Öyvind Fahlström · 1970

Synthetic polymer paint and ink on paper

The Museum of Modern Art

Plan for World Trade Monopoly, Öyvind Fahlström, 1970, Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper

Plan for World Trade Monopoly

Öyvind Fahlström · 1970

Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper

The Museum of Modern Art

Notes for "The Little General", Öyvind Fahlström, 1968, Ink, ballpoint pen, and pencil on two sheets of paper

Notes for "The Little General"

Öyvind Fahlström · 1968

Ink, ballpoint pen, and pencil on two sheets of paper

The Museum of Modern Art

Study for Eddie (Sylvie's brother) in the Desert, Öyvind Fahlström, 1966, Ink and pencil on notebook paper

Study for Eddie (Sylvie's brother) in the Desert

Öyvind Fahlström · 1966

Ink and pencil on notebook paper

The Museum of Modern Art

Bam Bam, Carl Fredrik Reuterswärd, 1958, Colored ink on paper

Bam Bam

Carl Fredrik Reuterswärd · 1958

Colored ink on paper

The Museum of Modern Art

Greek-style side chair, Designer: E. W. (Edward William) Godwin, c. 1885, Walnut and reproduction silk upholstery

Greek-style side chair

Designer: E. W. (Edward William) Godwin · c. 1885

Walnut and reproduction silk upholstery

Minneapolis Institute of Art

CC0

Gebirge bei aufsteigendem Nebel, Caspar David Friedrich, c. 1835, Öl auf Leinwand

Gebirge bei aufsteigendem Nebel

Caspar David Friedrich · c. 1835

Öl auf Leinwand

Public domain

Pillar print, England, c. 1830, Cotton: roller and block printed

Pillar print

England · c. 1830

Cotton: roller and block printed

Minneapolis Institute of Art

CC0

Rummer, England, c. 1800–1820, Glass

Rummer

England · c. 1800–1820

Glass

Minneapolis Institute of Art

CC0

Louis XVI, Louis Legoux, 1793, stipple engraving on silk satin

Louis XVI

Louis Legoux · 1793

stipple engraving on silk satin

National Gallery of Art

Public domain

Marie Antoinette d'Autriche (Marie Antoinette of Austria), Louis Legoux, 1793, stipple engraving on silk satin

Marie Antoinette d'Autriche (Marie Antoinette of Austria)

Louis Legoux · 1793

stipple engraving on silk satin

National Gallery of Art

Public domain

Plate from the Hope dinner service, Decorator: John Pennington, 1790, Porcelain, enamel, gilt

Plate from the Hope dinner service

Decorator: John Pennington · 1790

Porcelain, enamel, gilt

Minneapolis Institute of Art

CC0

Mrs. William Hartigan, Carl Fredrik von Breda, 1787/1796, oil on canvas

Mrs. William Hartigan

Carl Fredrik von Breda · 1787/1796

oil on canvas

National Gallery of Art

Public domain

Cordial glass, England, c. 1770–90, Lead glass

Cordial glass

England · c. 1770–90

Lead glass

Minneapolis Institute of Art

CC0

Charles de Marquetel de Saint-Denis, Wedgwood, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.)

Charles de Marquetel de Saint-Denis

Wedgwood · 1767–1780

Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.)

Cooper Hewitt, Smithsonian Design Museum

CC0

Flavian Julia Helena, Wedgwood, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.)

Flavian Julia Helena

Wedgwood · 1767–1780

Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.)

Cooper Hewitt, Smithsonian Design Museum

CC0

Cordial glass, England, c. 1765, Lead glass

Cordial glass

England · c. 1765

Lead glass

Minneapolis Institute of Art

CC0

Wine glass, England, c. 1765, Lead glass

Wine glass

England · c. 1765

Lead glass

Minneapolis Institute of Art

CC0

Goblet, England, c. 1745–65, Lead glass

Goblet

England · c. 1745–65

Lead glass

Minneapolis Institute of Art

CC0

Monteith Bowl, Benjamin Pyne, 1715–16, silver gilt

Monteith Bowl

Benjamin Pyne · 1715–16

silver gilt

Cleveland Museum of Art

CC0

4 shows

A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts, Thomas Holme, c. 1687, engraving

A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts

Thomas Holme · c. 1687

engraving

National Gallery of Art

Public domain

Footed salver, Silversmith: RF, 1662–63, Silver

Footed salver

Silversmith: RF · 1662–63

Silver

Minneapolis Institute of Art

CC0

Chair, one of a pair, England, 1650–99, Oak

Chair, one of a pair

England · 1650–99

Oak

Minneapolis Institute of Art

CC0

Armchair, England, c. 1650, Oak and light-colored wood inlays

Armchair

England · c. 1650

Oak and light-colored wood inlays

Minneapolis Institute of Art

CC0

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