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The collection

251 works match your filters.

Medium:Print123 Painting63 Drawing40 Ceramics2

Image

With image251
All256
Metadata only5

Year range

to

Decade

1980s2
1970s9
1960s12
1950s12
1940s17
1930s12
1920s7
1910s7
1900s6
1890s4
1880s3
1870s1
1860s2
1820s1
1800s1
1790s1
1760s3
1750s1
1740s1
1610s1
1600s1
1580s4
1570s93
1540s9
1530s3

Medium

Painting63
Print123
Drawing40
Ceramics2

Institution

Statens Museum for Kunst (National Gallery of Denmark)102
The Museum of Modern Art77
Städel Museum36
Minneapolis Institute of Art14
The Metropolitan Museum of Art8
National Gallery of Art7
Art Institute of Chicago3
Harvard Art Museums2
Cleveland Museum of Art1
Walters Art Museum1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

German Renaissance20
Symbolism14
surrealism7
Art Nouveau6
Impressionism4
Post-impressionism4
Constructivism2
Dada2
abstract art1
Art Concret1
geometric abstraction1

Exhibition History

Has exhibition record3

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)2

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View:Works Exhibitions3 works

Lesen im Staub, D.W.L. (Das Wilde Leben),, Miriam Cahn, 1984, Charcoal on paper

Lesen im Staub, D.W.L. (Das Wilde Leben),

Miriam Cahn · 1984

Charcoal on paper

The Museum of Modern Art

Untitled, Not Vital, (1984), Synthetic polymer paint and oil stick on paper

Untitled

Not Vital · (1984)

Synthetic polymer paint and oil stick on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

WHO? VII, Rafael Hastings, (1968), Gouache, pencil, and felt-tip pen on paper

WHO? VII

Rafael Hastings · (1968)

Gouache, pencil, and felt-tip pen on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

White Package, Claudio Bravo, 1967, Chalk, conté crayon, and ink on paper

White Package

Claudio Bravo · 1967

Chalk, conté crayon, and ink on paper

The Museum of Modern Art

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), Ernesto Fontecilla, 1967, Pencil on paper

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue)

Ernesto Fontecilla · 1967

Pencil on paper

The Museum of Modern Art

Untitled, Alberto Giacometti, (1965), Ballpoint pen on paper

Untitled

Alberto Giacometti · (1965)

Ballpoint pen on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Study for Mauresque, Pierre Haubensak, 1965, Synthetic polymer paint on paper

Study for Mauresque

Pierre Haubensak · 1965

Synthetic polymer paint on paper

The Museum of Modern Art

50 RPM, Jean Tinguely, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper

50 RPM

Jean Tinguely · 1965

Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper

The Museum of Modern Art

Untitled (Sketchbook), Sonja Sekula, 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper

Untitled (Sketchbook)

Sonja Sekula · 1961

Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper

The Museum of Modern Art

Sketch for Homage to New York, Jean Tinguely, 1960, Felt-tip pen and ink on board

Sketch for Homage to New York

Jean Tinguely · 1960

Felt-tip pen and ink on board

The Museum of Modern Art

Portrait of JR, Alberto Giacometti, 1959, Pencil on paper

Portrait of JR

Alberto Giacometti · 1959

Pencil on paper

The Museum of Modern Art

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