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The collection

26 works match your filters.

Medium:Drawing10 Painting7 Print7 Ceramics2

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Decade

1970s9
1960s6
1940s7
1930s4

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Painting7
Print7
Drawing10
Ceramics2

Institution

The Museum of Modern Art24
National Museum of African American History and Culture2

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

surrealism7

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Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

White Package, Claudio Bravo, 1967, Chalk, conté crayon, and ink on paper

White Package

Claudio Bravo · 1967

Chalk, conté crayon, and ink on paper

The Museum of Modern Art

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), Ernesto Fontecilla, 1967, Pencil on paper

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue)

Ernesto Fontecilla · 1967

Pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Sugar Cane Cutters, Mario Carreño, 1943, Ink and gouache on paper

Sugar Cane Cutters

Mario Carreño · 1943

Ink and gouache on paper

The Museum of Modern Art

Untitled, Roberto Matta, 1942, Pencil and crayon on paper

Untitled

Roberto Matta · 1942

Pencil and crayon on paper

The Museum of Modern Art

Untitled, Roberto Matta, 1942, Crayon and pencil on paper

Untitled

Roberto Matta · 1942

Crayon and pencil on paper

The Museum of Modern Art

Untitled from VVV Portfolio, Roberto Matta, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

Untitled from VVV Portfolio

Roberto Matta · 1942, published 1943

Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

The Museum of Modern Art

Joan of Arc, Roberto Matta, 1942, Crayon and pencil on paper

Joan of Arc

Roberto Matta · 1942

Crayon and pencil on paper

The Museum of Modern Art

Condors and Carrion (Condors y carroña), Roberto Matta, 1941, Pencil and crayon on paper

Condors and Carrion (Condors y carroña)

Roberto Matta · 1941

Pencil and crayon on paper

The Museum of Modern Art

Fiery Landscape (Paysage Flammifére), Roberto Matta, 1940, Crayon and pencil on paper

Fiery Landscape (Paysage Flammifére)

Roberto Matta · 1940

Crayon and pencil on paper

The Museum of Modern Art

Endless Nude, Roberto Matta, 1938, Pencil and crayon on paper

Endless Nude

Roberto Matta · 1938

Pencil and crayon on paper

The Museum of Modern Art

China bread and butter plates/dessert plates from the Rock Rest Tourist Home, Noritake Co., c. 1933, paint on leaf (metal) porcelain; H x W x D: 9/16 × 6 3/8 × 6 3/8 in. (1.4 × 16.2 × 16.2 cm); Diameter: 6 3/8 in. (16.2 cm)

China bread and butter plates/dessert plates from the Rock Rest Tourist Home

Noritake Co. · c. 1933

paint on leaf (metal) porcelain; H x W x D: 9/16 × 6 3/8 × 6 3/8 in. (1.4 × 16.2 × 16.2 cm); Diameter: 6 3/8 in. (16.2 cm)

National Museum of African American History and Culture

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