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The collection

267 works match your filters.

Medium:Print76 Painting69 Drawing27 Textile12 Sculpture6 Ceramics1

Image

With image267
All354
Metadata only87

Year range

to

Decade

2000s1
1970s10
1960s17
1950s10
1940s7
1930s2
1850s1
1830s3
1820s1
1790s22
1780s17
1770s2
1750s3
1700s2
1680s1
1670s2
1660s1
1650s1
1640s5
1630s11
1620s23
1610s13
1600s5
1590s2
1580s28

Medium

Painting69
Print76
Drawing27
Sculpture6
Ceramics1
Textile12

Institution

National Gallery of Art81
Art Institute of Chicago47
The Museum of Modern Art45
Minneapolis Institute of Art26
The Metropolitan Museum of Art22
Cleveland Museum of Art14
Harvard Art Museums14
Städel Museum8
Statens Museum for Kunst (National Gallery of Denmark)5
Walters Art Museum4
Tate1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Baroque painting29
Baroque16
Flemish Baroque painting16
surrealism7

Exhibition History

Has exhibition record59

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)13

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View:Works Exhibitions59 works

The Passing Winter, Yayoi Kusama, 2005, Mirror and glass

The Passing Winter

Yayoi Kusama · 2005

Mirror and glass

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

In the Landscape, Ikeda Masuo (池田満寿夫), 1973, Solvent transfer, watercolor, gouache, and pencil on paper

In the Landscape

Ikeda Masuo (池田満寿夫) · 1973

Solvent transfer, watercolor, gouache, and pencil on paper

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Untitled, Risaburo Kimura, 1969, Watercolor and pencil on paper

Untitled

Risaburo Kimura · 1969

Watercolor and pencil on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, Shuzo Takiguchi, 1967, published 1968, Lenticular print on board

Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy

Shuzo Takiguchi · 1967, published 1968

Lenticular print on board

The Museum of Modern Art

White Package, Claudio Bravo, 1967, Chalk, conté crayon, and ink on paper

White Package

Claudio Bravo · 1967

Chalk, conté crayon, and ink on paper

The Museum of Modern Art

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), Ernesto Fontecilla, 1967, Pencil on paper

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue)

Ernesto Fontecilla · 1967

Pencil on paper

The Museum of Modern Art

This Side of the Room, Naoto Nakagawa, 1967, Pencil, colored pencil, and metallic paint on paper

This Side of the Room

Naoto Nakagawa · 1967

Pencil, colored pencil, and metallic paint on paper

The Museum of Modern Art

Big Table, Naoto Nakagawa, 1967, Pencil and colored pencil on paper

Big Table

Naoto Nakagawa · 1967

Pencil and colored pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Untitled, Sawada Tetsuro, 1964, Gouache and ink on paper

Untitled

Sawada Tetsuro · 1964

Gouache and ink on paper

The Museum of Modern Art

Untitled, Sawada Tetsuro, 1964, Gouache and ink on paper

Untitled

Sawada Tetsuro · 1964

Gouache and ink on paper

The Museum of Modern Art

Proportion I, Maki Haku, 1964, Woodblock print

Proportion I

Maki Haku · 1964

Woodblock print

Art Institute of Chicago

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