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The collection

1,009 works match your filters.

Medium:Print622 Painting257 Drawing68 Textile5 Photography3 Sculpture2 Ceramics1

Image

With image1,009
All1,033
Metadata only24

Year range

to

Decade

1990s4
1980s1
1970s13
1960s11
1950s90
1940s2
1930s10
1920s73
1910s49
1900s9
1890s11
1880s9
1820s1
1790s1
1760s1
1700s2
1690s8
1680s18
1670s19
1660s68
1650s91
1640s67
1630s61
1620s89
1610s42

Medium

Painting257
Print622
Drawing68
Photography3
Sculpture2
Ceramics1
Textile5

Institution

Statens Museum for Kunst (National Gallery of Denmark)419
The Museum of Modern Art236
National Gallery of Art154
Städel Museum99
Cleveland Museum of Art37
Art Institute of Chicago27
The Metropolitan Museum of Art19
Minneapolis Institute of Art8
Harvard Art Museums5
Walters Art Museum5

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Baroque133
Dutch Golden Age painting70
Mannerism38
Constructivism36
Suprematism36
Expressionism19
Russian avant-garde18
cubism14
Futurism13
Rayonism12
Baroque painting10
De Stijl10
Post-impressionism9
Symbolism9
Cubo-Futurism4
neo-primitivism4
Utrecht Caravaggism4
fijnschilder3
abstract expressionism2
COBRA2
Russian Futurism2
abstract art1
absurdism1
alogism1
avant-garde1
Early Netherlandish painting1
realism1
Rococo1

Exhibition History

Has exhibition record64

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)14
ink5
laid paper4
oil paint (paint)4
canvas3
silk (fiber)3
paint2
photographic paper2
black ink1
charcoal1
coating (material)1
colored ink1
glass1
gouache1
metallic paint1

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View:Works Exhibitions64 works

Untitled, Maria Serebriakova, 1997, Watercolor on paper

Untitled

Maria Serebriakova · 1997

Watercolor on paper

The Museum of Modern Art

Untitled, Maria Serebriakova, 1997, Watercolor on paper

Untitled

Maria Serebriakova · 1997

Watercolor on paper

The Museum of Modern Art

Vigilantia, Pieter Laurens Mol, 1996, Gelatin silver print distressed with red lead paint

Vigilantia

Pieter Laurens Mol · 1996

Gelatin silver print distressed with red lead paint

The Museum of Modern Art

Untitled, Maria Serebriakova, 1995, Watercolor on paper

Untitled

Maria Serebriakova · 1995

Watercolor on paper

The Museum of Modern Art

Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), Varvara Rodchenko, 1980, Lithograph

Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature)

Varvara Rodchenko · 1980

Lithograph

The Museum of Modern Art

Printer's proof for cover for Neokonchennye spory (Unfinished Argument), Varvara Rodchenko, c. 1978, Letterpress

Printer's proof for cover for Neokonchennye spory (Unfinished Argument)

Varvara Rodchenko · c. 1978

Letterpress

The Museum of Modern Art

T76 M2, Jan J. Schoonhoven, 1976, Felt-tip pen and pencil on paper

T76 M2

Jan J. Schoonhoven · 1976

Felt-tip pen and pencil on paper

The Museum of Modern Art

Cover for Evgenii Vinkour, Varvara Rodchenko, 1974, Lithograph

Cover for Evgenii Vinkour

Varvara Rodchenko · 1974

Lithograph

The Museum of Modern Art

Plate (folio 12) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Study for Laboratory, Pat Andrea, 1971, Pencil, colored pencil, gouache, and crayon on paper

Study for Laboratory

Pat Andrea · 1971

Pencil, colored pencil, gouache, and crayon on paper

The Museum of Modern Art

Plate (folio 6) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 6) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 14) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 14) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Untitled, Jan Groth, 1970, Crayon on paper

Untitled

Jan Groth · 1970

Crayon on paper

The Museum of Modern Art

Study for Metermaid, Pat Andrea, 1968, Colored pencil, pencil, and crayon on paper

Study for Metermaid

Pat Andrea · 1968

Colored pencil, pencil, and crayon on paper

The Museum of Modern Art

Untitled, Nikolai Gritsouk, 1967, Watercolor, gouache, and ink on colored paper

Untitled

Nikolai Gritsouk · 1967

Watercolor, gouache, and ink on colored paper

The Museum of Modern Art

Palegraphic Composition, Dimitri Petrovich Plavinsky, 1966, Touche and ink on paper

Palegraphic Composition

Dimitri Petrovich Plavinsky · 1966

Touche and ink on paper

The Museum of Modern Art

The Centipede, Lucebert, 1965, Gouache and pasted paper on gray paper

The Centipede

Lucebert · 1965

Gouache and pasted paper on gray paper

The Museum of Modern Art

Study for cover of Beloe-chernoe (White and Black), Varvara Rodchenko, 1965, Relief halftone with embossing and ink additions

Study for cover of Beloe-chernoe (White and Black)

Varvara Rodchenko · 1965

Relief halftone with embossing and ink additions

The Museum of Modern Art

Drawing for Battle of Giants, Ernst Neizvestny, 1964, Pencil and ink on paper

Drawing for Battle of Giants

Ernst Neizvestny · 1964

Pencil and ink on paper

The Museum of Modern Art

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