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The collection

807 works match your filters.

Medium:Print536 Painting212 Drawing32 Photography1 Sculpture1 Ceramics1 Textile1

Image

With image807
All817
Metadata only10

Year range

to

Decade

1990s1
1970s20
1960s9
1950s4
1940s8
1930s2
1920s12
1910s9
1900s4
1890s6
1880s5
1820s1
1790s1
1760s1
1700s2
1690s8
1680s18
1670s19
1660s68
1650s91
1640s67
1630s61
1620s89
1610s42
1600s89

Medium

Painting212
Print536
Drawing32
Photography1
Sculpture1
Ceramics1
Textile1

Institution

Statens Museum for Kunst (National Gallery of Denmark)419
National Gallery of Art154
Städel Museum95
The Museum of Modern Art64
Cleveland Museum of Art24
The Metropolitan Museum of Art19
Art Institute of Chicago14
Minneapolis Institute of Art8
Harvard Art Museums5
Walters Art Museum5

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Baroque133
Dutch Golden Age painting70
Mannerism38
Expressionism19
Baroque painting10
De Stijl10
Post-impressionism9
Symbolism9
surrealism7
Utrecht Caravaggism4
fijnschilder3
abstract expressionism2
COBRA2
abstract art1
Early Netherlandish painting1
realism1
Rococo1

Exhibition History

Has exhibition record38

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)9
ink4
laid paper4
oil paint (paint)3
canvas2
charcoal1
organic material1
paint1
painting1
panel (wood)1
plant material1
pressboard1

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View:Works Exhibitions38 works

Vigilantia, Pieter Laurens Mol, 1996, Gelatin silver print distressed with red lead paint

Vigilantia

Pieter Laurens Mol · 1996

Gelatin silver print distressed with red lead paint

The Museum of Modern Art

T76 M2, Jan J. Schoonhoven, 1976, Felt-tip pen and pencil on paper

T76 M2

Jan J. Schoonhoven · 1976

Felt-tip pen and pencil on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Plate (folio 12) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Study for Laboratory, Pat Andrea, 1971, Pencil, colored pencil, gouache, and crayon on paper

Study for Laboratory

Pat Andrea · 1971

Pencil, colored pencil, gouache, and crayon on paper

The Museum of Modern Art

Plate (folio 6) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 6) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 14) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 14) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Untitled, Jan Groth, 1970, Crayon on paper

Untitled

Jan Groth · 1970

Crayon on paper

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Study for Metermaid, Pat Andrea, 1968, Colored pencil, pencil, and crayon on paper

Study for Metermaid

Pat Andrea · 1968

Colored pencil, pencil, and crayon on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

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