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The collection

1,085 works match your filters.

Medium:Print618 Painting260 Drawing82 Sculpture4 Textile4 Photography3 Ceramics2

Image

With image1,085
All1,190
Metadata only105

Year range

to

Decade

2000s1
1990s4
1980s1
1970s13
1960s22
1950s100
1940s2
1930s10
1920s73
1910s48
1900s9
1890s6
1880s9
1850s1
1830s3
1820s1
1790s23
1780s17
1770s2
1760s1
1750s1
1700s3
1690s8
1680s18
1670s19

Medium

Painting260
Print618
Drawing82
Photography3
Sculpture4
Ceramics2
Textile4

Institution

Statens Museum for Kunst (National Gallery of Denmark)419
The Museum of Modern Art256
National Gallery of Art154
Städel Museum96
Art Institute of Chicago70
Cleveland Museum of Art40
Minneapolis Institute of Art19
The Metropolitan Museum of Art19
Harvard Art Museums6
Walters Art Museum5
Tate1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Baroque133
Dutch Golden Age painting70
Mannerism38
Constructivism36
Suprematism36
Russian avant-garde18
cubism14
Expressionism13
Futurism13
Rayonism12
Baroque painting10
De Stijl10
Post-impressionism9
Cubo-Futurism4
neo-primitivism4
Utrecht Caravaggism4
fijnschilder3
Symbolism3
abstract expressionism2
COBRA2
Russian Futurism2
abstract art1
absurdism1
alogism1
avant-garde1
Early Netherlandish painting1
realism1
Rococo1

Exhibition History

Has exhibition record110

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)25
ink5
laid paper4
oil paint (paint)4
canvas3
silk (fiber)3
paint2
photographic paper2
black ink1
charcoal1
coating (material)1
colored ink1
glass1
gouache1
metallic paint1

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View:Works Exhibitions110 works

The Passing Winter, Yayoi Kusama, 2005, Mirror and glass

The Passing Winter

Yayoi Kusama · 2005

Mirror and glass

Untitled, Maria Serebriakova, 1997, Watercolor on paper

Untitled

Maria Serebriakova · 1997

Watercolor on paper

The Museum of Modern Art

Untitled, Maria Serebriakova, 1997, Watercolor on paper

Untitled

Maria Serebriakova · 1997

Watercolor on paper

The Museum of Modern Art

Vigilantia, Pieter Laurens Mol, 1996, Gelatin silver print distressed with red lead paint

Vigilantia

Pieter Laurens Mol · 1996

Gelatin silver print distressed with red lead paint

The Museum of Modern Art

Untitled, Maria Serebriakova, 1995, Watercolor on paper

Untitled

Maria Serebriakova · 1995

Watercolor on paper

The Museum of Modern Art

Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), Varvara Rodchenko, 1980, Lithograph

Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature)

Varvara Rodchenko · 1980

Lithograph

The Museum of Modern Art

Printer's proof for cover for Neokonchennye spory (Unfinished Argument), Varvara Rodchenko, c. 1978, Letterpress

Printer's proof for cover for Neokonchennye spory (Unfinished Argument)

Varvara Rodchenko · c. 1978

Letterpress

The Museum of Modern Art

T76 M2, Jan J. Schoonhoven, 1976, Felt-tip pen and pencil on paper

T76 M2

Jan J. Schoonhoven · 1976

Felt-tip pen and pencil on paper

The Museum of Modern Art

Cover for Evgenii Vinkour, Varvara Rodchenko, 1974, Lithograph

Cover for Evgenii Vinkour

Varvara Rodchenko · 1974

Lithograph

The Museum of Modern Art

In the Landscape, Ikeda Masuo (池田満寿夫), 1973, Solvent transfer, watercolor, gouache, and pencil on paper

In the Landscape

Ikeda Masuo (池田満寿夫) · 1973

Solvent transfer, watercolor, gouache, and pencil on paper

The Museum of Modern Art

Plate (folio 12) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 12) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Study for Laboratory, Pat Andrea, 1971, Pencil, colored pencil, gouache, and crayon on paper

Study for Laboratory

Pat Andrea · 1971

Pencil, colored pencil, gouache, and crayon on paper

The Museum of Modern Art

Plate (folio 6) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 6) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 14) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 14) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 8) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 8) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 4) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 4) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 10) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 10) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Plate (folio 2) from One Day, Eduard Flor, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

Plate (folio 2) from One Day

Eduard Flor · 1971

Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

One Day, Eduard Flor, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts

One Day

Eduard Flor · 1971

Portfolio of seven soft ground etchings and screenprinted reproductions with texts

The Museum of Modern Art

Untitled, Risaburo Kimura, 1969, Watercolor and pencil on paper

Untitled

Risaburo Kimura · 1969

Watercolor and pencil on paper

The Museum of Modern Art

Study for Metermaid, Pat Andrea, 1968, Colored pencil, pencil, and crayon on paper

Study for Metermaid

Pat Andrea · 1968

Colored pencil, pencil, and crayon on paper

The Museum of Modern Art

Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, Shuzo Takiguchi, 1967, published 1968, Lenticular print on board

Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy

Shuzo Takiguchi · 1967, published 1968

Lenticular print on board

The Museum of Modern Art

Untitled, Nikolai Gritsouk, 1967, Watercolor, gouache, and ink on colored paper

Untitled

Nikolai Gritsouk · 1967

Watercolor, gouache, and ink on colored paper

The Museum of Modern Art

This Side of the Room, Naoto Nakagawa, 1967, Pencil, colored pencil, and metallic paint on paper

This Side of the Room

Naoto Nakagawa · 1967

Pencil, colored pencil, and metallic paint on paper

The Museum of Modern Art

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