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The collection

255 works match your filters.

Medium:Print124 Painting69 Drawing47

Image

With image255
All261
Metadata only6

Year range

to

Decade

1980s2
1970s14
1960s12
1950s13
1940s19
1930s12
1920s8
1910s9
1900s10
1890s5
1880s3
1870s1
1860s2
1820s1
1800s1
1790s1
1760s3
1750s1
1740s1
1610s1
1600s1
1580s4
1570s93
1540s9
1530s3

Medium

Painting69
Print124
Drawing47

Institution

Statens Museum for Kunst (National Gallery of Denmark)102
The Museum of Modern Art95
Städel Museum36
The Metropolitan Museum of Art8
National Gallery of Art7
Art Institute of Chicago3
Harvard Art Museums2
Cleveland Museum of Art1
Walters Art Museum1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Symbolism26
German Renaissance20
abstract art13
Orphism12
surrealism7
Art Nouveau6
Impressionism4
Post-impressionism4
Constructivism2
Dada2
Art Concret1
geometric abstraction1

Exhibition History

Has exhibition record3

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)2

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View:Works Exhibitions3 works

Lesen im Staub, D.W.L. (Das Wilde Leben),, Miriam Cahn, 1984, Charcoal on paper

Lesen im Staub, D.W.L. (Das Wilde Leben),

Miriam Cahn · 1984

Charcoal on paper

The Museum of Modern Art

Untitled, Not Vital, (1984), Synthetic polymer paint and oil stick on paper

Untitled

Not Vital · (1984)

Synthetic polymer paint and oil stick on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

White Package, Claudio Bravo, 1967, Chalk, conté crayon, and ink on paper

White Package

Claudio Bravo · 1967

Chalk, conté crayon, and ink on paper

The Museum of Modern Art

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), Ernesto Fontecilla, 1967, Pencil on paper

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue)

Ernesto Fontecilla · 1967

Pencil on paper

The Museum of Modern Art

Untitled, Alberto Giacometti, (1965), Ballpoint pen on paper

Untitled

Alberto Giacometti · (1965)

Ballpoint pen on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Study for Mauresque, Pierre Haubensak, 1965, Synthetic polymer paint on paper

Study for Mauresque

Pierre Haubensak · 1965

Synthetic polymer paint on paper

The Museum of Modern Art

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