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The collection

202 works match your filters.

Medium:Print77 Painting71 Drawing19 Textile12 Sculpture4

Image

With image202
All208
Metadata only6

Year range

to

Decade

1970s14
1960s7
1950s1
1940s9
1930s2
1920s2
1910s2
1900s4
1890s1
1750s2
1700s1
1680s1
1670s2
1660s1
1650s1
1640s5
1630s11
1620s23
1610s13
1600s4
1590s2
1580s28
1570s8
1560s4
1550s1

Medium

Painting71
Print77
Drawing19
Sculpture4
Textile12

Institution

National Gallery of Art81
The Museum of Modern Art44
The Metropolitan Museum of Art22
Minneapolis Institute of Art14
Harvard Art Museums13
Cleveland Museum of Art11
Städel Museum8
Statens Museum for Kunst (National Gallery of Denmark)5
Walters Art Museum4

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Baroque painting29
Baroque16
Flemish Baroque painting16
abstract art12
Orphism12
Symbolism12
surrealism7

Exhibition History

Has exhibition record9

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions9 works

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

White Package, Claudio Bravo, 1967, Chalk, conté crayon, and ink on paper

White Package

Claudio Bravo · 1967

Chalk, conté crayon, and ink on paper

The Museum of Modern Art

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), Ernesto Fontecilla, 1967, Pencil on paper

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue)

Ernesto Fontecilla · 1967

Pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Stinova (Mrs. Stein), Jirí Kolár, (1960's), Cut-and-pasted printed paper on paper

Stinova (Mrs. Stein)

Jirí Kolár · (1960's)

Cut-and-pasted printed paper on paper

The Museum of Modern Art

An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, František Kupka, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions

An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

František Kupka · 1953 (original executed in 1952)

One from a portfolio of sixteen screenprint reproductions

The Museum of Modern Art

Replica of Fugue in Two Colors: Amorpha, 1912, František Kupka, (1946), Gouache, ink, and pencil on paper

Replica of Fugue in Two Colors: Amorpha, 1912

František Kupka · (1946)

Gouache, ink, and pencil on paper

The Museum of Modern Art

Replica (1946) of Vertical Planes, František Kupka, (1946), Watercolor, gouache, and pencil on paper

Replica (1946) of Vertical Planes

František Kupka · (1946)

Watercolor, gouache, and pencil on paper

The Museum of Modern Art

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