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31 works match your filters.

Medium:Drawing13 Painting11 Print7

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1970s11
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The Museum of Modern Art29
National Gallery of Art1
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French5,213
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surrealism7
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Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Notes 4 (C. I. A. Brand Bananas)

Öyvind Fahlström · 1970

Synthetic polymer paint and ink on paper

The Museum of Modern Art

Plan for World Trade Monopoly, Öyvind Fahlström, 1970, Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper

Plan for World Trade Monopoly

Öyvind Fahlström · 1970

Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Notes for "The Little General", Öyvind Fahlström, 1968, Ink, ballpoint pen, and pencil on two sheets of paper

Notes for "The Little General"

Öyvind Fahlström · 1968

Ink, ballpoint pen, and pencil on two sheets of paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

White Package, Claudio Bravo, 1967, Chalk, conté crayon, and ink on paper

White Package

Claudio Bravo · 1967

Chalk, conté crayon, and ink on paper

The Museum of Modern Art

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), Ernesto Fontecilla, 1967, Pencil on paper

Boceto para una estatua ecuestre (Sketch for an Equestrian Statue)

Ernesto Fontecilla · 1967

Pencil on paper

The Museum of Modern Art

Study for Eddie (Sylvie's brother) in the Desert, Öyvind Fahlström, 1966, Ink and pencil on notebook paper

Study for Eddie (Sylvie's brother) in the Desert

Öyvind Fahlström · 1966

Ink and pencil on notebook paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Untitled (From the series: Diario de Vida de New York), Guillermo Núñez, 1965, Watercolor and pencil on paper

Untitled (From the series: Diario de Vida de New York)

Guillermo Núñez · 1965

Watercolor and pencil on paper

The Museum of Modern Art

Bam Bam, Carl Fredrik Reuterswärd, 1958, Colored ink on paper

Bam Bam

Carl Fredrik Reuterswärd · 1958

Colored ink on paper

The Museum of Modern Art

Sugar Cane Cutters, Mario Carreño, 1943, Ink and gouache on paper

Sugar Cane Cutters

Mario Carreño · 1943

Ink and gouache on paper

The Museum of Modern Art

Untitled, Roberto Matta, 1942, Pencil and crayon on paper

Untitled

Roberto Matta · 1942

Pencil and crayon on paper

The Museum of Modern Art

Untitled, Roberto Matta, 1942, Crayon and pencil on paper

Untitled

Roberto Matta · 1942

Crayon and pencil on paper

The Museum of Modern Art

Untitled from VVV Portfolio, Roberto Matta, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

Untitled from VVV Portfolio

Roberto Matta · 1942, published 1943

Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

The Museum of Modern Art

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