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The collection

372 works match your filters.

Medium:Print213 Painting114 Textile14 Sculpture8 Drawing4 Photography1

Image

With image372
All378
Metadata only6

Year range

to

Decade

1990s1
1960s2
1950s1
1890s1
1750s2
1700s1
1680s1
1670s2
1660s1
1650s3
1640s5
1630s11
1620s23
1610s21
1600s5
1590s5
1580s31
1570s9
1560s9
1550s13
1540s4
1530s23
1520s62
1510s55
1500s30

Medium

Painting114
Print213
Drawing4
Photography1
Sculpture8
Textile14

Institution

National Gallery of Art230
The Metropolitan Museum of Art51
Cleveland Museum of Art21
Harvard Art Museums15
Minneapolis Institute of Art15
Städel Museum14
Statens Museum for Kunst (National Gallery of Denmark)14
Walters Art Museum6
The Museum of Modern Art4
Art Institute of Chicago1
National Museum of African American History and Culture1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

Baroque painting29
Early Netherlandish painting28
Baroque16
Flemish Baroque painting16
Northern Renaissance2
abstract expressionism1
High Renaissance1
Les Automatistes1

Exhibition History

Has exhibition record20

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)1

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View:Works Exhibitions20 works

Figure/Ladder Series, IV, Betty Goodwin, 1996, Oilstick, pastel, graphite,and charcoal on plastic sheet

Figure/Ladder Series, IV

Betty Goodwin · 1996

Oilstick, pastel, graphite,and charcoal on plastic sheet

The Museum of Modern Art

Summer Forms I, Tony Urquhart, 1961, Oil and ink on paper

Summer Forms I

Tony Urquhart · 1961

Oil and ink on paper

The Museum of Modern Art

Forest Floor, II, Tony Urquhart, 1961, Oil and ink on paper

Forest Floor, II

Tony Urquhart · 1961

Oil and ink on paper

The Museum of Modern Art

La Guignolée, Paul-Émile Borduas, 1954, Watercolor on paper

La Guignolée

Paul-Émile Borduas · 1954

Watercolor on paper

The Museum of Modern Art

Cabinet card of Frederick Douglass with his grandson Joseph Douglass, Denis Bourdon, May 10, 1894, albumen and silver on photographic paper on card mount; H x W: 6 1/2 × 4 1/4 in. (16.5 × 10.8 cm)

Cabinet card of Frederick Douglass with his grandson Joseph Douglass

Denis Bourdon · May 10, 1894

albumen and silver on photographic paper on card mount; H x W: 6 1/2 × 4 1/4 in. (16.5 × 10.8 cm)

National Museum of African American History and Culture

Public domain

The Forge, Léonard Defrance, 1755, Oil on wood

The Forge

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

The Rope Dance, Léonard Defrance, 1755, Oil on wood

The Rope Dance

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

Nicolas de Blampignon, Gerard Edelinck, 1702, engraving

Nicolas de Blampignon

Gerard Edelinck · 1702

engraving

National Gallery of Art

Public domain

Landscape of the Roman ""Compagna"", Jan Frans van Bloemen, c. 1700–1740 (Baroque), oil on panel

Landscape of the Roman ""Compagna""

Jan Frans van Bloemen · c. 1700–1740 (Baroque)

oil on panel

Walters Art Museum

Remi Du Laury, Gerard Edelinck, probably 1679, engraving

Remi Du Laury

Gerard Edelinck · probably 1679

engraving

National Gallery of Art

Public domain

Philippe de Champaigne, Gerard Edelinck, 1676, engraving

Philippe de Champaigne

Gerard Edelinck · 1676

engraving

National Gallery of Art

Public domain

Hermes Ordering Calypso to Release Odysseus, Gerard de Lairesse, c. 1670, oil on canvas

Hermes Ordering Calypso to Release Odysseus

Gerard de Lairesse · c. 1670

oil on canvas

Cleveland Museum of Art

CC0

1 show

Den fortabte søns hjemkomst, Jan Baptist de Wael, 1658, Radering

Den fortabte søns hjemkomst

Jan Baptist de Wael · 1658

Radering

Statens Museum for Kunst (National Gallery of Denmark)

Public domain

Den fortabte søn som svinehyrde, Jan Baptist de Wael, 1658, Radering

Den fortabte søn som svinehyrde

Jan Baptist de Wael · 1658

Radering

Statens Museum for Kunst (National Gallery of Denmark)

Public domain

Awaiting the Chase, Designer: Flanders, c. 1650, Wool, silk, tapestry weave

Awaiting the Chase

Designer: Flanders · c. 1650

Wool, silk, tapestry weave

Minneapolis Institute of Art

CC0

The Conversion of Saul with Christ and the Cross, Jacob Jordaens, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

The Conversion of Saul with Christ and the Cross

Jacob Jordaens · c. 1645–47

brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Cleveland Museum of Art

CC0

16 shows

Susannah Crouching, Jacob Jordaens, c. 1640/1645, black and red chalk with watercolor, heightened with white

Susannah Crouching

Jacob Jordaens · c. 1640/1645

black and red chalk with watercolor, heightened with white

National Gallery of Art

Public domain

Cupid (?), Lucas Faydherbe, c. 1640/1650, bronze

Cupid (?)

Lucas Faydherbe · c. 1640/1650

bronze

National Gallery of Art

Public domain

The Prodigal Son, David Teniers, the Younger, c. 1640, Oil on copper

The Prodigal Son

David Teniers, the Younger · c. 1640

Oil on copper

Minneapolis Institute of Art

CC0

Charles-Maurice Le Tellier, Gerard Edelinck, 1640, engraving

Charles-Maurice Le Tellier

Gerard Edelinck · 1640

engraving

National Gallery of Art

Public domain

Catherine Howard, Lady d'Aubigny, Sir Anthony van Dyck, c. 1638, oil on canvas

Catherine Howard, Lady d'Aubigny

Sir Anthony van Dyck · c. 1638

oil on canvas

National Gallery of Art

Public domain

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

The Garden of Love (left portion), Peter Paul Rubens, c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Garden of Love (left portion)

Peter Paul Rubens · c. 1633–35

Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Metropolitan Museum of Art

CC0

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