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The collection

317 works match your filters.

Medium:Drawing120 Print97 Painting81 Sculpture4 Textile1

Image

With image317
All326
Metadata only9

Year range

to

Decade

1990s2
1980s7
1970s11
1960s19
1950s51
1940s41
1930s37
1920s21
1910s26
1900s22
1890s1
1880s1
1860s13
1820s4
1810s5
1800s4
1790s22
1780s2
1770s4
1750s1
1670s1
1660s2
1650s1
1640s3
1630s3

Medium

Painting81
Print97
Drawing120
Sculpture4
Textile1

Institution

The Museum of Modern Art226
National Gallery of Art55
Art Institute of Chicago12
Cleveland Museum of Art8
The Metropolitan Museum of Art7
Städel Museum5
Walters Art Museum2
Harvard Art Museums1
Minneapolis Institute of Art1

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25
Chilean24

Movement

surrealism71
Rococo48
Romanticism48
abstract art30
cubism16
Antropophagia9
tropicália9
Post-impressionism7
Baroque5
Baroque painting5
Impressionism5
Renaissance1

Exhibition History

Has exhibition record16

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

paper (fiber product)8
laid paper4
gouache3
charcoal2
graphite2
water-base paint2
watercolor2
board1
canvas1
chalk1
ink1
oil paint (paint)1
plant material1
wove paper1

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View:Works Exhibitions16 works

I Am Your Man (Sou seu homem), José Leonilson, 1992, Watercolor and ink on paper

I Am Your Man (Sou seu homem)

José Leonilson · 1992

Watercolor and ink on paper

The Museum of Modern Art

Sunset, Earthquake, Loneliness, José Leonilson, 1990, Ink and metallic color on paper

Sunset, Earthquake, Loneliness

José Leonilson · 1990

Ink and metallic color on paper

The Museum of Modern Art

To Make Your Soul Close to Me, José Leonilson, 1989, Watercolor and ink on paper

To Make Your Soul Close to Me

José Leonilson · 1989

Watercolor and ink on paper

The Museum of Modern Art

Desire is a Blue Lake (O desejo é um lago azul), José Leonilson, 1989, Watercolor and ink on paper

Desire is a Blue Lake (O desejo é um lago azul)

José Leonilson · 1989

Watercolor and ink on paper

The Museum of Modern Art

Men with Their Own Attentions (Os homens com suas próprias atenções), José Leonilson, 1989, Watercolor and ink on paper

Men with Their Own Attentions (Os homens com suas próprias atenções)

José Leonilson · 1989

Watercolor and ink on paper

The Museum of Modern Art

Untitled (3 Balconies with Time), Juan Muñoz, 1984, Oilstick on plastic sheet over a paper envelope on paper

Untitled (3 Balconies with Time)

Juan Muñoz · 1984

Oilstick on plastic sheet over a paper envelope on paper

The Museum of Modern Art

Untitled (Balcony with Awning and Sketch below), Juan Muñoz, 1984, Oilstick on plastic sheet on brown paper

Untitled (Balcony with Awning and Sketch below)

Juan Muñoz · 1984

Oilstick on plastic sheet on brown paper

The Museum of Modern Art

Untitled (Balcony with heavy black vertical line), Juan Muñoz, 1984, Oilstick on plastic sheet on brown paper

Untitled (Balcony with heavy black vertical line)

Juan Muñoz · 1984

Oilstick on plastic sheet on brown paper

The Museum of Modern Art

Untitled (Facing Balconies), Juan Muñoz, 1984, Oilstick on plastic sheet on brown paper

Untitled (Facing Balconies)

Juan Muñoz · 1984

Oilstick on plastic sheet on brown paper

The Museum of Modern Art

Pomegranates, Gerardo Pita, (July 1978), Pencil on paper

Pomegranates

Gerardo Pita · (July 1978)

Pencil on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Japan (Japão), Waltercio Caldas, (1972), Transfer type, ink, and metallic ink on paper

Japan (Japão)

Waltercio Caldas · (1972)

Transfer type, ink, and metallic ink on paper

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Untitled, Pablo Picasso, 1969, Ballpoint pen on paper

Untitled

Pablo Picasso · 1969

Ballpoint pen on paper

The Museum of Modern Art

The Pool, Pablo Picasso, January 30, 1968, Pencil on paper

The Pool

Pablo Picasso · January 30, 1968

Pencil on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

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