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39 works match your filters.

Medium:Painting39 Drawing20

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The Museum of Modern Art39

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Dibujo - Figure and Electric Cord, Santiago Cárdenas, 1991, Synthetic polymer paint, oil paint, oil pastel, and colored pencil on cardboard

Dibujo - Figure and Electric Cord

Santiago Cárdenas · 1991

Synthetic polymer paint, oil paint, oil pastel, and colored pencil on cardboard

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper

The Museum of Modern Art

Study for Labyrinth for White Mice, Luis Fernando Benedit, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper

Study for Labyrinth for White Mice

Luis Fernando Benedit · 1972

Synthetic polymer paint, felt-tip pen, and pencil on colored paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper

The Museum of Modern Art

Study for Labyrinth for White Mice, Luis Fernando Benedit, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper

Study for Labyrinth for White Mice

Luis Fernando Benedit · 1972

Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper

The Museum of Modern Art

Study for Phytotron (Environment for Plants), Luis Fernando Benedit, 1972, Pencil, watercolor, felt-tip pen and typewriting on paper

Study for Phytotron (Environment for Plants)

Luis Fernando Benedit · 1972

Pencil, watercolor, felt-tip pen and typewriting on paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper

The Museum of Modern Art

Study for Labyrinth for White Mice, Luis Fernando Benedit, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper

Study for Labyrinth for White Mice

Luis Fernando Benedit · 1972

Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper

The Museum of Modern Art

Labyrinth for Ants, Luis Fernando Benedit, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype

Labyrinth for Ants

Luis Fernando Benedit · 1971

Synthetic polymer paint, watercolor, and felt-tip pen on diazotype

The Museum of Modern Art

Study for Proyecto Prototipo Multiple, Luis Fernando Benedit, 1971, Synthetic polymer paint on diazotype

Study for Proyecto Prototipo Multiple

Luis Fernando Benedit · 1971

Synthetic polymer paint on diazotype

The Museum of Modern Art

Study for Habitat for Snails, Luis Fernando Benedit, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype

Study for Habitat for Snails

Luis Fernando Benedit · 1971

Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype

The Museum of Modern Art

Labyrinth for White Rats, Luis Fernando Benedit, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper

Labyrinth for White Rats

Luis Fernando Benedit · 1971

Watercolor, enamel, and felt-tip pen on blueprint paper

The Museum of Modern Art

Rower (Canotier), Antonio Segui, 1970, Pencil and tempera on paper

Rower (Canotier)

Antonio Segui · 1970

Pencil and tempera on paper

The Museum of Modern Art

Study for Proyecto Prototipo Multiple - "Habitat para Arañas", Luis Fernando Benedit, 1970, Felt-tip pen, colored pencil, and watercolor on diazotype

Study for Proyecto Prototipo Multiple - "Habitat para Arañas"

Luis Fernando Benedit · 1970

Felt-tip pen, colored pencil, and watercolor on diazotype

The Museum of Modern Art

Portrait, Antonio Segui, 1970, Pencil and gouache on paper

Portrait

Antonio Segui · 1970

Pencil and gouache on paper

The Museum of Modern Art

Deyber, Carlos Silva, 1968, Gouache and pencil on paper

Deyber

Carlos Silva · 1968

Gouache and pencil on paper

The Museum of Modern Art

Untitled, Antonio Segui, 1967, Gouache, crayon, pastel, and pencil on paper

Untitled

Antonio Segui · 1967

Gouache, crayon, pastel, and pencil on paper

The Museum of Modern Art

Apolo 0.9, Carlos Rojas, 1966, Synthetic polymer paint and pencil on paper

Apolo 0.9

Carlos Rojas · 1966

Synthetic polymer paint and pencil on paper

The Museum of Modern Art

Untitled, Victor Magariños, c. 1964, Watercolor and colored ink on paper

Untitled

Victor Magariños · c. 1964

Watercolor and colored ink on paper

The Museum of Modern Art

Untitled, Victor Magariños, c. 1964, Colored ink and oil on paper

Untitled

Victor Magariños · c. 1964

Colored ink and oil on paper

The Museum of Modern Art

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