A Clean New Race
Juan Downey · 1970
Colored pencil, pencil, and gouache on board
Drawing for With Energy Beyond These Walls
Juan Downey · 1969
Pencil, crayon, and gouache on paper
Untitled (From the series: Diario de Vida de New York)
Guillermo Núñez · 1965
Watercolor and pencil on paper
Untitled (From the series: Diario de Vida de New York)
Guillermo Núñez · 1965
Watercolor and pencil on paper
Untitled (Sketchbook)
Sonja Sekula · 1961
Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper
Untitled (Sketchbook)
Sonja Sekula · 1957
Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper
Untitled (Sketchbook)
Sonja Sekula · 1954–55
Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper
Untitled from VVV Portfolio
Roberto Matta · 1942, published 1943
Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print
Self-Portrait (Autorretrato)
Luis Herrera Guevara · 1933
Oil and gouache on board
![Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], Louis Soutter, c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper](https://www.moma.org/media/W1siZiIsIjMyNzk2NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=efd1de5e6d465db1)
Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso]
Louis Soutter · c. 1930–35
Recto: Ink on paper; Verso: Oil and ink on paper
Selbstbildnis mit verschränkten Armen
Ottilie W. Roederstein · 1926
Öl auf Leinwand
Public domain
Construction bleu-rouge-noir
Florence Henri · 1923
Gouache on cut-and-pasted paper, ink, and pencil on paper
