Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso]

Louis Soutter

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Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso]

Louis Soutter

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Artist: Louis Soutter
Date: c. 1930–35
Medium: Recto: Ink on paper; Verso: Oil and ink on paper
Dimensions: 13 x 9 3/4" (33 x 24.8 cm)
Location: The Museum of Modern Art

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Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive )

c. 1930–35

Ink on paper

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Esthètes juifs distants

c. 1930–1936

Ink on paper

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Le catafalque sans pesanteur

c. 1937–1942

Fingermalerei in Schwarz auf geripptem Büttenpapier

Städel Museum

Public domain

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Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York.

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Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso]

More works by Louis Soutter

Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive )

Esthètes juifs distants

Le catafalque sans pesanteur

More from The Museum of Modern Art, 1930s

Valia Zdanevich

Orpheus before Pluto and Proserpina (Orpheus vor Pluto und Proserpina) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

The Departure of Orpheus from his Mother (Abschied Orpheus' von der Mutter) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Exhibition history

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Servant's Clock

Resurrection (Résurrection)

The Sun is Blackened (Le Soleil se noircit)

The Ascension (L'Ascension)

Head (Tête)

Orpheus at the Shore II (Orpheus am Meer II) from the illustrated book Eurydikes Wiederkehr, Drei Gesänge (The Return of Eurydice, Three Cantos)

Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal")

Untitled (Futurist Landscape)