Untitled (Doors)
Toba Khedoori · 1995
Oil, wax, and pencil on three sheets of paper
Flinders Island
Fred Williams · 1968
Gouache and synthetic polymer paint on paper
Aboriginal Graves, Tibooburra, No. 1
Fred Williams · 1967
Synthetic polymer paint on paper
Desert Dust Storm, Tibooburra
Fred Williams · 1967
Gouache and synthetic polymer on paper
Rite of Spring: Decor study for the ballet
Sidney Nolan · (1962)
Metallic paint, crayon, and gouache on paper
Untitled (Sketchbook)
Sonja Sekula · 1961
Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper
Axial Figure
Jan Lebenstein · 1960
Watercolor, ink, and ballpoint pen on graph paper
Untitled (Sketchbook)
Sonja Sekula · 1957
Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper
Untitled (Sketchbook)
Sonja Sekula · 1954–55
Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper
Design for an Aboriginal Ballet, II
William H. Constable · (1939)
Gouache on paper
![Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], Louis Soutter, c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper](https://www.moma.org/media/W1siZiIsIjMyNzk2NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=efd1de5e6d465db1)
