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44 works match your filters.

Medium:Painting27 Drawing14

Image

With image44
All59
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2000s2
1990s44
1980s49
1970s27
1960s200
1950s13
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1910s44
1900s11
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1880s13
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1860s24
1850s15
1840s8
1830s6
1820s92
1810s126
1800s1,669
1790s2,170
1780s79
1770s25
1760s10

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Painting27
Drawing14

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Tate22
The Museum of Modern Art21
National Gallery of Art1

Nationality

French711
American237
German105
Italian41
Russian40
British37
Austrian30
Spanish26
Australian8
Dutch8
Swiss7
Georgian5
Czech2
Ukrainian2
Unknown2
Belgian1
Finnish1
Korean1
Mexican1
Norwegian1
Polish1
Scottish1

Movement

Bloomsbury Group2

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Untitled, Kirill Zdanevich, 1919, Pen and ink

Untitled

Kirill Zdanevich · 1919

Pen and ink

The Museum of Modern Art

Untitled, Kirill Zdanevich, c. 1919, Pencil on paper

Untitled

Kirill Zdanevich · c. 1919

Pencil on paper

The Museum of Modern Art

Visiting card of Kara-Darvish, with drawing by Kirill Zdanevich entitled The Furious Lady, Kirill Zdanevich, 1918, Pencil on paper

Visiting card of Kara-Darvish, with drawing by Kirill Zdanevich entitled The Furious Lady

Kirill Zdanevich · 1918

Pencil on paper

The Museum of Modern Art

Announcement for a series of lectures on Italian Futurism to be delivered by Il'ia Zdanevich at the Fantastic Tavern in Tiflis, Ilia Zdanevich, 1918, Letterpress

Announcement for a series of lectures on Italian Futurism to be delivered by Il'ia Zdanevich at the Fantastic Tavern in Tiflis

Ilia Zdanevich · 1918

Letterpress

The Museum of Modern Art

Decanter with Fruit, Vanessa Bell, 1918, Watercolor, ink, and pencil on paper

Decanter with Fruit

Vanessa Bell · 1918

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, Max Beerbohm, 1917, Graphite and watercolour on paper

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one

Max Beerbohm · 1917

Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849, Max Beerbohm, 1917, Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849

Max Beerbohm · 1917

Graphite and watercolour on paper

Landscape, Alexander Bogomazov, c. 1917–19, Charcoal on paper

Landscape

Alexander Bogomazov · c. 1917–19

Charcoal on paper

The Museum of Modern Art

Untitled, Kirill Zdanevich, c. 1917, Pen and ink

Untitled

Kirill Zdanevich · c. 1917

Pen and ink

The Museum of Modern Art

Spring Cottage, Hampstead, 1860, Max Beerbohm, 1917, Graphite and watercolour on paper

Spring Cottage, Hampstead, 1860

Max Beerbohm · 1917

Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill, Max Beerbohm, 1917, Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill

Max Beerbohm · 1917

Graphite and watercolour on paper

Woolner at Farringford, 1857, Max Beerbohm, 1917, Graphite and watercolour on paper

Woolner at Farringford, 1857

Max Beerbohm · 1917

Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt, Max Beerbohm, 1916, Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt

Max Beerbohm · 1916

Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton, Max Beerbohm, 1916, Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton

Max Beerbohm · 1916

Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk, Max Beerbohm, 1916, Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk

Max Beerbohm · 1916

Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel

Max Beerbohm · 1916

Graphite and watercolour on paper

Blue China, Max Beerbohm, 1916, Graphite and watercolour on paper

Blue China

Max Beerbohm · 1916

Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais, Max Beerbohm, 1916, Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais

Max Beerbohm · 1916

Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti’s Courtship, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti’s Courtship

Max Beerbohm · 1916

Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, Max Beerbohm, 1916, Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala

Max Beerbohm · 1916

Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., Max Beerbohm, 1916–7, Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ...

Max Beerbohm · 1916–7

Graphite and watercolour on paper

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