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The collection

45 works match your filters.

Medium:Painting31 Drawing14

Image

With image45
All59
Metadata only14

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2000s2
1990s45
1980s49
1970s37
1960s203
1950s17
1940s13
1930s8
1920s18
1910s45
1900s15
1890s5
1880s18
1870s8
1860s24
1850s15
1840s8
1830s6
1820s92
1810s126
1800s1,669
1790s2,171
1780s79
1770s25
1760s11

Medium

Painting31
Drawing14

Institution

Tate22
The Museum of Modern Art22
National Gallery of Art1

Nationality

French711
American237
German105
Italian41
Russian40
British37
Austrian30
Spanish26
Australian8
Dutch8
Swiss7
Georgian5
Czech2
Ukrainian2
Unknown2
Belgian1
Finnish1
Korean1
Mexican1
Norwegian1
Polish1
Scottish1

Movement

De Stijl3
Expressionism3
Bloomsbury Group2

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Decanter with Fruit, Vanessa Bell, 1918, Watercolor, ink, and pencil on paper

Decanter with Fruit

Vanessa Bell · 1918

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Study for Composition VIII (The Cow) (recto); Untitled (verso), Theo van Doesburg, c. 1917, Gouache, oil, and charcoal on paper (recto and verso)

Study for Composition VIII (The Cow) (recto); Untitled (verso)

Theo van Doesburg · c. 1917

Gouache, oil, and charcoal on paper (recto and verso)

The Museum of Modern Art

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, Max Beerbohm, 1917, Graphite and watercolour on paper

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one

Max Beerbohm · 1917

Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849, Max Beerbohm, 1917, Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849

Max Beerbohm · 1917

Graphite and watercolour on paper

Composition, Theo van Doesburg, 1917, dated 1915, Charcoal on paper

Composition

Theo van Doesburg · 1917, dated 1915

Charcoal on paper

The Museum of Modern Art

Study for Composition (The Cow), Theo van Doesburg, 1917, Pencil on paper

Study for Composition (The Cow)

Theo van Doesburg · 1917

Pencil on paper

The Museum of Modern Art

Untitled, Bart van der Leck, 1917, Gouache and pencil on paper

Untitled

Bart van der Leck · 1917

Gouache and pencil on paper

The Museum of Modern Art

Spring Cottage, Hampstead, 1860, Max Beerbohm, 1917, Graphite and watercolour on paper

Spring Cottage, Hampstead, 1860

Max Beerbohm · 1917

Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill, Max Beerbohm, 1917, Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill

Max Beerbohm · 1917

Graphite and watercolour on paper

Woolner at Farringford, 1857, Max Beerbohm, 1917, Graphite and watercolour on paper

Woolner at Farringford, 1857

Max Beerbohm · 1917

Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt, Max Beerbohm, 1916, Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt

Max Beerbohm · 1916

Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton, Max Beerbohm, 1916, Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton

Max Beerbohm · 1916

Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk, Max Beerbohm, 1916, Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk

Max Beerbohm · 1916

Graphite and watercolour on paper

Composition, Chris Hendrik Beekman, 1916, Pastel and pencil on paper

Composition

Chris Hendrik Beekman · 1916

Pastel and pencil on paper

The Museum of Modern Art

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel

Max Beerbohm · 1916

Graphite and watercolour on paper

Blue China, Max Beerbohm, 1916, Graphite and watercolour on paper

Blue China

Max Beerbohm · 1916

Graphite and watercolour on paper

Study, Bart van der Leck, (1916–17), Gouache and pencil on paper

Study

Bart van der Leck · (1916–17)

Gouache and pencil on paper

The Museum of Modern Art

A Momentary Vision that Once Befell Young Millais, Max Beerbohm, 1916, Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais

Max Beerbohm · 1916

Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti’s Courtship, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti’s Courtship

Max Beerbohm · 1916

Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, Max Beerbohm, 1916, Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala

Max Beerbohm · 1916

Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., Max Beerbohm, 1916–7, Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ...

Max Beerbohm · 1916–7

Graphite and watercolour on paper

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