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The collection

44 works match your filters.

Medium:Painting30 Drawing14

Image

With image44
All58
Metadata only14

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Decade

2000s2
1990s44
1980s51
1970s27
1960s205
1950s25
1940s22
1930s18
1920s12
1910s44
1900s17
1890s8
1880s16
1870s9
1860s26
1850s15
1840s8
1830s6
1820s93
1810s126
1800s1,670
1790s2,171
1780s79
1770s25
1760s13

Medium

Painting30
Drawing14

Institution

Tate22
The Museum of Modern Art20
Art Institute of Chicago1
National Gallery of Art1

Nationality

French711
American237
German105
Italian41
Russian40
British37
Austrian30
Spanish26
Australian8
Dutch8
Swiss7
Georgian5
Greece3
Czech2
Ukrainian2
Unknown2
Belgian1
Finnish1
Korean1
Mexican1
Norwegian1
Polish1
Scottish1

Movement

Art Nouveau2
Bloomsbury Group2
Symbolism2

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Colored Moss, IV, Augusto Giacometti, 1919, Gouache on paper mounted on paper

Colored Moss, IV

Augusto Giacometti · 1919

Gouache on paper mounted on paper

The Museum of Modern Art

Color Abstraction II, Augusto Giacometti, 1919, Gouache on paper mounted on paper

Color Abstraction II

Augusto Giacometti · 1919

Gouache on paper mounted on paper

The Museum of Modern Art

The Eavesdropper (Horchende), Johannes Itten, 1918, Crayon, charcoal and pencil on paper

The Eavesdropper (Horchende)

Johannes Itten · 1918

Crayon, charcoal and pencil on paper

The Museum of Modern Art

Untitled (Postcard), Johannes Itten, 1918, Pencil on postcard

Untitled (Postcard)

Johannes Itten · 1918

Pencil on postcard

The Museum of Modern Art

Decanter with Fruit, Vanessa Bell, 1918, Watercolor, ink, and pencil on paper

Decanter with Fruit

Vanessa Bell · 1918

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, Max Beerbohm, 1917, Graphite and watercolour on paper

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one

Max Beerbohm · 1917

Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849, Max Beerbohm, 1917, Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849

Max Beerbohm · 1917

Graphite and watercolour on paper

Head of a Soldier, Ferdinand Hodler, 1917, Oil on canvas

Head of a Soldier

Ferdinand Hodler · 1917

Oil on canvas

Art Institute of Chicago

Spring Cottage, Hampstead, 1860, Max Beerbohm, 1917, Graphite and watercolour on paper

Spring Cottage, Hampstead, 1860

Max Beerbohm · 1917

Graphite and watercolour on paper

Female Nude (Weiblicher Akt), Johannes Itten, (c. 1917), Charcoal and pencil on paper

Female Nude (Weiblicher Akt)

Johannes Itten · (c. 1917)

Charcoal and pencil on paper

The Museum of Modern Art

Mr Morley ... introduces Mr John Stuart Mill, Max Beerbohm, 1917, Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill

Max Beerbohm · 1917

Graphite and watercolour on paper

Woolner at Farringford, 1857, Max Beerbohm, 1917, Graphite and watercolour on paper

Woolner at Farringford, 1857

Max Beerbohm · 1917

Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt, Max Beerbohm, 1916, Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt

Max Beerbohm · 1916

Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton, Max Beerbohm, 1916, Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton

Max Beerbohm · 1916

Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk, Max Beerbohm, 1916, Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk

Max Beerbohm · 1916

Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel

Max Beerbohm · 1916

Graphite and watercolour on paper

Blue China, Max Beerbohm, 1916, Graphite and watercolour on paper

Blue China

Max Beerbohm · 1916

Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais, Max Beerbohm, 1916, Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais

Max Beerbohm · 1916

Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti’s Courtship, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti’s Courtship

Max Beerbohm · 1916

Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, Max Beerbohm, 1916, Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala

Max Beerbohm · 1916

Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., Max Beerbohm, 1916–7, Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ...

Max Beerbohm · 1916–7

Graphite and watercolour on paper

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