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Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

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The collection

33 works match your filters.

Medium:Drawing44 Painting33

Image

With image33
All38
Metadata only5

Year range

to

Decade

2000s1
1990s8
1980s11
1970s8
1960s29
1950s11
1940s9
1930s7
1920s3
1910s33
1900s3
1880s1
1860s9
1850s1
1840s3
1830s5
1820s4
1810s7
1800s185
1790s415
1780s38
1770s16
1760s9
1750s8
1740s6

Medium

Painting33
Drawing44

Painting type

Oil1
Watercolor29
Gouache4

Institution

Tate22
The Museum of Modern Art9
Art Institute of Chicago1
Cleveland Museum of Art1

Nationality

- Europe
- Americas
French56
American53
German34
British27
Russian17
Italian6
Spanish6
Austrian4
Dutch4
Swiss3
Czech1
Finnish1
Norwegian1
Polish1

Movement

Bloomsbury Group2
Futurism1

Exhibition History

Has exhibition record2

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

Material

crayons1
graphite1
ink1
paint1
paper (fiber product)1
water-base paint1
watercolor1

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View:Works Exhibitions2 works

Decanter with Fruit, Vanessa Bell, 1918, Watercolor, ink, and pencil on paper

Decanter with Fruit

Vanessa Bell · 1918

Watercolor, ink, and pencil on paper

The Museum of Modern Art

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Portrait of a Woman

Amedeo Modigliani · c. 1917–18

oil on canvas

Cleveland Museum of Art

CC0

7 shows

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, Max Beerbohm, 1917, Graphite and watercolour on paper

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one

Max Beerbohm · 1917

Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849, Max Beerbohm, 1917, Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849

Max Beerbohm · 1917

Graphite and watercolour on paper

Spring Cottage, Hampstead, 1860, Max Beerbohm, 1917, Graphite and watercolour on paper

Spring Cottage, Hampstead, 1860

Max Beerbohm · 1917

Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill, Max Beerbohm, 1917, Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill

Max Beerbohm · 1917

Graphite and watercolour on paper

Woolner at Farringford, 1857, Max Beerbohm, 1917, Graphite and watercolour on paper

Woolner at Farringford, 1857

Max Beerbohm · 1917

Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt, Max Beerbohm, 1916, Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt

Max Beerbohm · 1916

Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton, Max Beerbohm, 1916, Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton

Max Beerbohm · 1916

Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk, Max Beerbohm, 1916, Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk

Max Beerbohm · 1916

Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel

Max Beerbohm · 1916

Graphite and watercolour on paper

Blue China, Max Beerbohm, 1916, Graphite and watercolour on paper

Blue China

Max Beerbohm · 1916

Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais, Max Beerbohm, 1916, Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais

Max Beerbohm · 1916

Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti’s Courtship, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti’s Courtship

Max Beerbohm · 1916

Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, Max Beerbohm, 1916, Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala

Max Beerbohm · 1916

Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., Max Beerbohm, 1916–7, Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ...

Max Beerbohm · 1916–7

Graphite and watercolour on paper

Quis Custodiet Ipsum Custodem, Max Beerbohm, 1916, Graphite and watercolour on paper

Quis Custodiet Ipsum Custodem

Max Beerbohm · 1916

Graphite and watercolour on paper

Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, Max Beerbohm, 1916, Graphite and watercolour on paper

Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’

Max Beerbohm · 1916

Graphite and watercolour on paper

Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti

Max Beerbohm · 1916

Graphite and watercolour on paper

Topsy and Ned Jones Settled on the Settle in Red Lion Square, Max Beerbohm, 1916, Graphite and watercolour on paper

Topsy and Ned Jones Settled on the Settle in Red Lion Square

Max Beerbohm · 1916

Graphite and watercolour on paper

The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, Max Beerbohm, 1916, Graphite and watercolour on paper

The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union

Max Beerbohm · 1916

Graphite and watercolour on paper

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