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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli · 1779–81 (recto); 1785–90 (verso)

Oil on canvas

CC0

Study after Nature

Study after Nature

John Downman · 1774

Brush and brown wash, varnished, with oil paint, on ivory wove paper

CC0

Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

Henry Fuseli · c. 1781

Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

CC0

The Bark

The Bark

Pierre Ozanne · 1771/80

Pen and brown ink, brush and brown wash, and white gouache, over black chalk, on ivory wove paper

CC0

Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

Henry Fuseli · 1770/75

Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper

CC0

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli · 1770–78

Oil on canvas

CC0