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23 works match your filters.

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1910s23
1900s1

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British23

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Max Beerbohm

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Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, Max Beerbohm, 1917, Graphite and watercolour on paper

Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one

Max Beerbohm · 1917

Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849, Max Beerbohm, 1917, Graphite and watercolour on paper

British Stock and Alien Inspiration, 1849

Max Beerbohm · 1917

Graphite and watercolour on paper

Spring Cottage, Hampstead, 1860, Max Beerbohm, 1917, Graphite and watercolour on paper

Spring Cottage, Hampstead, 1860

Max Beerbohm · 1917

Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill, Max Beerbohm, 1917, Graphite and watercolour on paper

Mr Morley ... introduces Mr John Stuart Mill

Max Beerbohm · 1917

Graphite and watercolour on paper

Woolner at Farringford, 1857, Max Beerbohm, 1917, Graphite and watercolour on paper

Woolner at Farringford, 1857

Max Beerbohm · 1917

Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt, Max Beerbohm, 1916, Graphite and watercolour on paper

Ford Madox Brown being Patronized by Holman Hunt

Max Beerbohm · 1916

Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton, Max Beerbohm, 1916, Graphite and watercolour on paper

The Man from Hymettus. Mr Frederick Leighton

Max Beerbohm · 1916

Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk, Max Beerbohm, 1916, Graphite and watercolour on paper

The Small Hours in the ‘Sixties at 16 Cheyne Walk

Max Beerbohm · 1916

Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel

Max Beerbohm · 1916

Graphite and watercolour on paper

Blue China, Max Beerbohm, 1916, Graphite and watercolour on paper

Blue China

Max Beerbohm · 1916

Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais, Max Beerbohm, 1916, Graphite and watercolour on paper

A Momentary Vision that Once Befell Young Millais

Max Beerbohm · 1916

Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti’s Courtship, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti’s Courtship

Max Beerbohm · 1916

Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, Max Beerbohm, 1916, Graphite and watercolour on paper

The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America

Max Beerbohm · 1916

Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, Max Beerbohm, 1916, Graphite and watercolour on paper

Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala

Max Beerbohm · 1916

Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., Max Beerbohm, 1916–7, Graphite and watercolour on paper

D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ...

Max Beerbohm · 1916–7

Graphite and watercolour on paper

Quis Custodiet Ipsum Custodem, Max Beerbohm, 1916, Graphite and watercolour on paper

Quis Custodiet Ipsum Custodem

Max Beerbohm · 1916

Graphite and watercolour on paper

Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, Max Beerbohm, 1916, Graphite and watercolour on paper

Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’

Max Beerbohm · 1916

Graphite and watercolour on paper

Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, Max Beerbohm, 1916, Graphite and watercolour on paper

Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti

Max Beerbohm · 1916

Graphite and watercolour on paper

Topsy and Ned Jones Settled on the Settle in Red Lion Square, Max Beerbohm, 1916, Graphite and watercolour on paper

Topsy and Ned Jones Settled on the Settle in Red Lion Square

Max Beerbohm · 1916

Graphite and watercolour on paper

The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, Max Beerbohm, 1916, Graphite and watercolour on paper

The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union

Max Beerbohm · 1916

Graphite and watercolour on paper

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Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Mr - and Miss - Nervously Perpetuating the Touch of a Vanished HandMax Beerbohm · 1917