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Starting from a Square (Partiendo de un cuadrado)

Gego (Gertrud Goldschmidt)

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Artist
Gego (Gertrud Goldschmidt)
Date
1958
Medium
Iron and enamel
Dimensions
51 × 51 × 51 cm (20 × 20 × 20 in.)
Location
Art Institute of Chicago
Credit
Through prior purchase from the Mary and Leigh Block Fund

Exhibition history

Other works in Abstract Experiments: Latin American Art on Paper after 1950

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Drawing Without Paper 85.22 (Dibujo sin papel 85.22)

Drawing Without Paper 85.22 (Dibujo sin papel 85.22)

Gego (Gertrud Goldschmidt) · 1985

Aluminum, steel wire, screws, wooden pins, iron rods, and coiled springs

Art Institute of Chicago

Cover with colophon, from The Never Projected (Lo Nunca Proyectado)

Cover with colophon, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Cover for set of prints, with handwritten colophon in yellow ink, folded and closed with yellow string

Art Institute of Chicago

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Art Institute of Chicago

Untitled

Untitled

Lygia Pape · 1959

Pen and black ink on cream Japanese paper

Art Institute of Chicago

The Despair of the Outcasts in Hell (La desesperación de los réprobos en el infierno)

The Despair of the Outcasts in Hell (La desesperación de los réprobos en el infierno)

León Ferrari · 2005

Pen and black ink on white wove paper

Art Institute of Chicago

Plate one, from The Never Projected (Lo Nunca Proyectado)

Plate one, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Cite this work

Gego (Gertrud Goldschmidt), Starting from a Square (Partiendo de un cuadrado), 1958, Iron and enamel, Art Institute of Chicago, Chicago.

Stable URL (what's this?)

https://dartabase.art/cite/aic/224866

Through prior purchase from the Mary and Leigh Block Fund

Metadata sourced from Art Institute of Chicago open data collection

Image rights: Rights reserved (see source)

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More works by Gego (Gertrud Goldschmidt)

See all 10 →
Cover with colophon, from The Never Projected (Lo Nunca Proyectado)

Cover with colophon, from The Never Projected (Lo Nunca Proyectado)

1964

Cover for set of prints, with handwritten colophon in yellow ink, folded and closed with yellow string

Art Institute of Chicago

Plate six, from The Never Projected (Lo Nunca Proyectado)

Plate six, from The Never Projected (Lo Nunca Proyectado)

1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate seven, from The Never Projected (Lo Nunca Proyectado)

Plate seven, from The Never Projected (Lo Nunca Proyectado)

1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate one, from The Never Projected (Lo Nunca Proyectado)

Plate one, from The Never Projected (Lo Nunca Proyectado)

1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate two, from The Never Projected (Lo Nunca Proyectado)

Plate two, from The Never Projected (Lo Nunca Proyectado)

1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate three, from The Never Projected (Lo Nunca Proyectado)

Plate three, from The Never Projected (Lo Nunca Proyectado)

1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate four, from The Never Projected (Lo Nunca Proyectado)

Plate four, from The Never Projected (Lo Nunca Proyectado)

1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate five, from The Never Projected (Lo Nunca Proyectado)

Plate five, from The Never Projected (Lo Nunca Proyectado)

1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago