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Exhibition

Abstract Experiments: Latin American Art on Paper after 1950

Art Institute of Chicago19 Feb 2017 – 7 May 2017
View this exhibition at the source ↗

Works from this exhibition held in Dartabase

35
Drawing Without Paper 85.22 (Dibujo sin papel 85.22)

Drawing Without Paper 85.22 (Dibujo sin papel 85.22)

Gego (Gertrud Goldschmidt) · 1985

Aluminum, steel wire, screws, wooden pins, iron rods, and coiled springs

Art Institute of Chicago

Cover with colophon, from The Never Projected (Lo Nunca Proyectado)

Cover with colophon, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Cover for set of prints, with handwritten colophon in yellow ink, folded and closed with yellow string

Art Institute of Chicago

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Art Institute of Chicago

Untitled

Untitled

Lygia Pape · 1959

Pen and black ink on cream Japanese paper

Art Institute of Chicago

The Despair of the Outcasts in Hell (La desesperación de los réprobos en el infierno)

The Despair of the Outcasts in Hell (La desesperación de los réprobos en el infierno)

León Ferrari · 2005

Pen and black ink on white wove paper

Art Institute of Chicago

Plate one, from The Never Projected (Lo Nunca Proyectado)

Plate one, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Art Institute of Chicago

Plate six, from The Never Projected (Lo Nunca Proyectado)

Plate six, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Boreal, from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Boreal, from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Alejandro Otero · 1972

Color screenprint on white wove paper

Art Institute of Chicago

Untitled, from Rectangular Background (Op. fondo rectangular)

Untitled, from Rectangular Background (Op. fondo rectangular)

Manuel Espinosa · 1968

Pen and black ink, over traces of graphite, on cream wove paper

Art Institute of Chicago

Untitled

Untitled

León Ferrari · 1997

Watercolor on white wove paper

Art Institute of Chicago

Untitled, from Lines (Op. líneas)

Untitled, from Lines (Op. líneas)

Manuel Espinosa · 1968

Fiber-tipped pens, over graphite, on cream wove paper

Art Institute of Chicago

Untitled, from Errors (Errores)

Untitled, from Errors (Errores)

León Ferrari · February 22, 1991

Pen and black ink, with traces of graphite, on ivory wove paper

Art Institute of Chicago

Plate three, from The Never Projected (Lo Nunca Proyectado)

Plate three, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Untitled

Untitled

Lygia Clark · 1952

Graphite on ivory wove paper

Art Institute of Chicago

Untitled

Untitled

León Ferrari · 1962

Pen and black ink on cream laid paper

Art Institute of Chicago

Plate seven, from The Never Projected (Lo Nunca Proyectado)

Plate seven, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Starting from a Square (Partiendo de un cuadrado)

Starting from a Square (Partiendo de un cuadrado)

Gego (Gertrud Goldschmidt) · 1958

Iron and enamel

Art Institute of Chicago

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Art Institute of Chicago

Beginning and End of Ecology (Principio y fin de la ecologia)

Beginning and End of Ecology (Principio y fin de la ecologia)

León Ferrari · 2006

Pen and black ink on white wove paper

Art Institute of Chicago

Plate two, from The Never Projected (Lo Nunca Proyectado)

Plate two, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate five, from The Never Projected (Lo Nunca Proyectado)

Plate five, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Plate four, from The Never Projected (Lo Nunca Proyectado)

Plate four, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Art Institute of Chicago

Untitled, from Rectangular Background (Op. fondo rectangular)

Untitled, from Rectangular Background (Op. fondo rectangular)

Manuel Espinosa · c. 1968

Pen and black ink, over traces of graphite, on cream wove paper

Art Institute of Chicago

Untitled

Untitled

Victor de Vasarely · 1940

Collage of cut-and-pasted, black and painted wove papers on painted, ivory wove paper, laid down on tan board

Art Institute of Chicago

Untitled

Untitled

Wifredo Arcay · 1953

Opaque watercolor, over traces of blue crayon, on cream wove paper

Art Institute of Chicago

Bicho - Monumento a Todas as Situações

Bicho - Monumento a Todas as Situações

Lygia Clark · 1960

Aluminum

Art Institute of Chicago

Untitled

Untitled

León Ferrari · 1976

Colored pencils, with pen and brown ink and graphite, on cream wove paper

Art Institute of Chicago

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Art Institute of Chicago

Untitled

Untitled

León Ferrari · May 7, 1976

Black colored pencil on cream wove paper

Art Institute of Chicago

Celestial Theme (Tema celeste), from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Celestial Theme (Tema celeste), from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)

Manuel Espinoza · 1972

Color screenprint on white wove paper

Art Institute of Chicago

Untitled

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Art Institute of Chicago

Untitled, from Squares (Cuadrados)

Untitled, from Squares (Cuadrados)

Manuel Espinosa · c. 1970

Graphite on ivory wove paper

Art Institute of Chicago

Untitled

Untitled

Gego (Gertrud Goldschmidt) · 1968

Pen and black ink on off-white wove paper

Art Institute of Chicago

Untitled

Untitled

Mira Schendel · 1964

Monotype in black on white translucent Eastern paper

Art Institute of Chicago