A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography

Henry Fuseli

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A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography

Henry Fuseli

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Artist: Henry Fuseli
Date: 1802, published 1803
Medium: Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper
Materials: paper (fiber product), ink, wove paper
Dimensions: Image/primary support: 23.2 × 31.8 cm (9 3/16 × 12 9/16 in.); Secondary support: 37.2 × 49 cm (14 11/16 × 19 5/16 in.)
Location: Art Institute of Chicago
Credit: The Amanda S. Johnson and Marion J. Livingston Fund

Exhibition history

Shockingly Mad: Henry Fuseli and the Art of DrawingArt Institute of Chicago · 16 Nov 2017 – 1 Apr 2018

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Milton Dictating to His Daughter

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Venus and Cupid

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Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

Henry Fuseli · c. 1781

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The Witches Appear to Macbeth and Banquo

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Etching on ivory wove paper

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Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side

Henry Fuseli · c. 1818

Etching and aquatint on ivory wove paper

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli · 1779–81 (recto); 1785–90 (verso)

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Cite this work

As seen in

Henry Fuseli, A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803, Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper, Art Institute of Chicago, Chicago.

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https://dartabase.art/cite/aic/228999

The Amanda S. Johnson and Marion J. Livingston Fund

Metadata sourced from Art Institute of Chicago open data collection

Image rights: CC0

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More works by Henry Fuseli

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Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon

1770–71

Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

1770–78

Oil on canvas

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Male Figure with Left Arm Raised Seen from the Back, and Fragment of Old Man

1770/75

Brush and brown wash, heightened with white gouache, over graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper

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Odin in the Underworld

1770/72

Brush and gray wash and graphite, with touches of pen and brown ink and red chalk, on cream laid paper

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Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)

c. 1781

Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper

Art Institute of Chicago

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

1779–81 (recto); 1785–90 (verso)

Oil on canvas

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Sleeping Woman with a Cupid

1780/90

Etching in red-brown on ivory laid paper

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Thetis Mourning the Body of Achilles

1780

Brush and brown and brownish-red wash, over graphite, on cream laid paper

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