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William T. Wiley (1937–2020) | Dartabase

Artist

William T. Wiley

1937–2020American5 works in Dartabase

Held at 2 collections

The Museum of Modern Art4 Queensland Art Gallery and Gallery of Modern Art1

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Works

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Period:1970s 1980s

First exhibited:–

Peacock Gap, William T. Wiley, 1970, Watercolor and ink on paper

Peacock Gap

1970

Watercolor and ink on paper

The Museum of Modern Art

Victory Guardians, William T. Wiley, 1973, Watercolor, felt-tip pen, ink, and pencil on paper

Victory Guardians

1973

Watercolor, felt-tip pen, ink, and pencil on paper

The Museum of Modern Art

Self-Portrait in New York, William T. Wiley, 1976, Crayon, charcoal, felt-tip pen, ink, and pencil on paper

Self-Portrait in New York

1976

Crayon, charcoal, felt-tip pen, ink, and pencil on paper

The Museum of Modern Art

Thank-You Palette for New York, William T. Wiley, (1978), Watercolor, pencil, and colored chalk on paper

Thank-You Palette for New York

(1978)

Watercolor, pencil, and colored chalk on paper

The Museum of Modern Art

+ 1 metadata-only matchshowhide

Metadata only · no published image

We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.

Now who's got the blue prints1989

How to cite works by William T. Wiley

Example citation for Peacock Gap. Switch format, then copy.

William T. Wiley, Peacock Gap, 1970, Watercolor and ink on paper, The Museum of Modern Art, New York.

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Dartabase holds 5 works by William T. Wiley. Full catalogue on Wikidata ↗

Bibliography

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William T. Wiley, Peacock Gap, 1970, Watercolor and ink on paper, The Museum of Modern Art, New York.
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William T. Wiley, Victory Guardians, 1973, Watercolor, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York.
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William T. Wiley, Self-Portrait in New York, 1976, Crayon, charcoal, felt-tip pen, ink, and pencil on paper, The Museum of Modern Art, New York.
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William T. Wiley, Thank-You Palette for New York, (1978), Watercolor, pencil, and colored chalk on paper, The Museum of Modern Art, New York.
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William T. Wiley, Now who's got the blue prints, 1989, Colour aquatint and soft-ground etching with drypoint and burnishing on Somerset paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane.