Artist
Held at 2 collections

1804
graphite and watercolor, heightened with white
Public domain

1804
pen and red and brown ink with watercolor, heightened with white
Public domain

1804
pen and gray and red ink, heightened with white, on darkened paper
Public domain

c. 1845
pen and brown, blue and red ink, heightened with white, on brown prepared paper
Public domain

1847/1856
lithograph
Public domain
We mirror only what an institution itself has openly published. These works have no openly available image; follow the link to view at the source.
Example citation for Head of a Woman. Switch format, then copy.
Paul Gavarni, Head of a Woman, 1804, pen and brown ink on laid paper, National Gallery of Art, Washington.
Dartabase holds 17 works by Paul Gavarni. Full catalogue on Wikidata ↗
Paul Gavarni, Head of a Woman, 1804, pen and brown ink on laid paper, National Gallery of Art, Washington.
Paul Gavarni, English Beggar, 1804, graphite and watercolor, heightened with white, National Gallery of Art, Washington.
Paul Gavarni, Et pas le Sou pour Souper, 1804, pen and red and brown ink with watercolor, heightened with white, National Gallery of Art, Washington.
Paul Gavarni, Discussion of Budget, 1804, lithograph, National Gallery of Art, Washington.
Paul Gavarni, The Masked Ball, 1804, lithograph, National Gallery of Art, Washington.
Paul Gavarni, Sketch of a Man, 1804, pen and brown and red ink on laid paper, National Gallery of Art, Washington.
Paul Gavarni, Reverie, 1804, pen and gray and red ink, heightened with white, on darkened paper, National Gallery of Art, Washington.
Paul Gavarni, C'etais "pour se donner des forces", c. 1845, pen and brown, blue and red ink, heightened with white, on brown prepared paper, National Gallery of Art, Washington.
Paul Gavarni, The Poor Family (Une famille pauvre), 1843/1848, lithograph, National Gallery of Art, Washington.
Paul Gavarni, Gypsy Woman and Child, c. 1859, watercolor and colored inks with graphite underdrawing and white heighting on cream, moderately thick, moderately textured wove paper, Walters Art Museum, Baltimore.
Paul Gavarni, After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse), 1847/1856, lithograph, National Gallery of Art, Washington.
Paul Gavarni, The Model and the Figure (La sculpture monumentale), 1847/1856, lithograph, National Gallery of Art, Washington.
Paul Gavarni, Old Woman, 1852–1866, iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper, Walters Art Museum, Baltimore.
Paul Gavarni, Old Woman in Red Cap, 1852–1866, iron gall ink, red ink, and sanguine colored ink with white heightening on brown moderately thick slightly textured wove paper, Walters Art Museum, Baltimore.
Paul Gavarni, Alexander Gabriel Descamps, 1853, lithograph, National Gallery of Art, Washington.
Paul Gavarni, V'la l'coco: The Chocolate Vendor, 1855–1857, watercolor and colored inks with graphite underdrawing heightened with white on moderately thick, slighty textured wove paper, Walters Art Museum, Baltimore.
Paul Gavarni, Actors, 1855–1857, transparent watercolor with graphite underdrawing, brown iron gall ink and red ink on cream, moderately thick, smooth wove paper, Walters Art Museum, Baltimore.