Artist
Example citation for Drawing for Stock Page. Switch format, then copy.
Chryssa, Drawing for Stock Page, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper, The Museum of Modern Art, New York.
Dartabase holds 24 works by Chryssa. Full catalogue on Wikidata ↗
Chryssa, Drawing for Stock Page, 1959, Ink, synthetic polymer paint, gouache, and pencil on printed paper, The Museum of Modern Art, New York.
Chryssa, Stocks, (1960–62), Synthetic polymer paint, pencil, and pastel on paper, The Museum of Modern Art, New York.
Chryssa, Stocks, 1960, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York.
Chryssa, Stocks, 1962, Synthetic polymer paint and pastel on black paper, The Museum of Modern Art, New York.
Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint and pastel on paper, The Museum of Modern Art, New York.
Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite on paper, The Museum of Modern Art, New York.
Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite and pastel on paper, The Museum of Modern Art, New York.
Chryssa, Study for Analysis of Letter Y, (1965–67), Synthetic polymer paint, pencil, and gouache on paper, The Museum of Modern Art, New York.
Chryssa, Study for Analysis of Letter Y, (1965–67), Oil, graphite, crayon, and gouache on paper, The Museum of Modern Art, New York.
Chryssa, Drawing No. 1 for Analysis of Letter Y, (1965), Graphite, gouache, and watercolor on paper, The Museum of Modern Art, New York.
Chryssa, Drawing No. 2 for Analysis of Letter Y, 1965, Graphite and watercolor on paper, The Museum of Modern Art, New York.
Chryssa, Study for Analysis of Letter Y, (1965–67), Graphite, ink, synthetic polymer paint, and gouache on paper, The Museum of Modern Art, New York.
Chryssa, Study for Analysis of Letter Y, 1966–67, Synthetic polymer paint, pencil, ink, and watercolor on paper, The Museum of Modern Art, New York.
Chryssa, Negative Ampersand, 1967, Graphite, synthetic polymer paint, and ink on transparentized paper, The Museum of Modern Art, New York.
Chryssa, [Untitled], (c. 1969), Gouache and pencil on transparentized paper, The Museum of Modern Art, New York.
Chryssa, Study for The Metternich Paintings, (c. 1969–73), Graphite and synthetic polymer paint on paper, The Museum of Modern Art, New York.
Chryssa, Study for The Metternich Paintings, (1969–73), Pencil and synthetic polymer paint on colored paper-surfaced cardboard, The Museum of Modern Art, New York.
Chryssa, [Untitled], (c. 1970–73), Pencil on canvas, The Museum of Modern Art, New York.
Chryssa, [Untitled], 1970, Synthetic polymer paint, graphite, pencil, and colored pencil on board, The Museum of Modern Art, New York.
Chryssa, Study for The Gates to Times Square, 1970, Gouache and graphite on paper, The Museum of Modern Art, New York.
Chryssa, [Untitled], 1973, Pencil on canvas, The Museum of Modern Art, New York.
Chryssa, [Untitled], 1973, Pencil on canvas, The Museum of Modern Art, New York.
Chryssa, Study for The Metternich Paintings, 1973, Pencil on canvas, The Museum of Modern Art, New York.
Chryssa, Air, (n.d.), Synthetic polymer paint, graphite, and gouache on paper, The Museum of Modern Art, New York.