National Schools of Style

Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland.

Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland.

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland.

Albrecht Altdorfer, Salome with the Head of St. John the Baptist, c. 1517, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink, Cleveland Museum of Art, Cleveland.

Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

Rembrandt van Rijn, Tobias Healing His Father's Blindness, c. 1640–45, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

Georges Seurat, At the Concert Parisien, 1887–88, conté crayon heightened with white chalk on cream handmade modern laid paper, Cleveland Museum of Art, Cleveland.

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland.

Fra Bartolommeo, Farmhouse on the Slope of a Hill, c. 1508, pen and brown ink, Cleveland Museum of Art, Cleveland.

Edgar Degas, Diego Martelli, 1879, charcoal and white chalk, Cleveland Museum of Art, Cleveland.

Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland.

Pietro Perugino, Saint Sebastian, c. 1493, metalpoint, Cleveland Museum of Art, Cleveland.

François Boucher, Fountain with Two Tritons Blowing Conch Shells, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper, Cleveland Museum of Art, Cleveland.

Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland.

Raphael, Studies of a Seated Female, Child's Head, and Three Studies of a Baby, c. 1507–8, metalpoint, Cleveland Museum of Art, Cleveland.

Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland.

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland.

Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland.