Exhibition
Old Master Drawings
Old Master Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 10-31, 1964).
View this exhibition at the source ↗Cite this exhibition
Old Master Drawings. Cleveland Museum of Art, Cleveland. March 9, 1964 – March 30, 1964. Dartabase. https://dartabase.art/exhibitions/724ad171-706a-4154-82f2-b77d221413af.
Works from this exhibition held in Dartabase
![Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], Paolo Veronese, c. 1570, pen and brown ink (iron gall) and brush and brown wash](https://openaccess-cdn.clevelandart.org/1939.670/1939.670_web.jpg)
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]
Paolo Veronese · c. 1570
pen and brown ink (iron gall) and brush and brown wash
CC0
13 shows

Navicella (recto)
Parri Spinelli · c. 1410s
pen and brown ink (iron gall)
CC0
10 shows

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti · 1510–11
red chalk over black chalk or charcoal
CC0
24 shows

Salome with the Head of St. John the Baptist
Albrecht Altdorfer · c. 1517
pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink
CC0
16 shows

Saint Jerome in a Landscape
Domenico Campagnola · c. 1530
pen and brown ink
CC0
11 shows

Aeneas Saving Anchises at the Fall of Troy
Federico Barocci · 1587–88
Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink
CC0
18 shows

Venus and Cupid in a Chariot
Guercino · 1615–17
Pen and brown ink and brush and brown wash over red chalk
CC0
28 shows

Farmhouse on the Slope of a Hill
Fra Bartolommeo · c. 1508
pen and brown ink
CC0
21 shows

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens · c. 1637–38
pen and brown ink, with black and red chalk, touched with white gouache
CC0
20 shows
Bibliography
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Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland.
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Parri Spinelli, Navicella (recto), c. 1410s, pen and brown ink (iron gall), Cleveland Museum of Art, Cleveland.
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Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland.
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Albrecht Altdorfer, Salome with the Head of St. John the Baptist, c. 1517, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink, Cleveland Museum of Art, Cleveland.
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Domenico Campagnola, Saint Jerome in a Landscape, c. 1530, pen and brown ink, Cleveland Museum of Art, Cleveland.
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Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.
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Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland.
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Fra Bartolommeo, Farmhouse on the Slope of a Hill, c. 1508, pen and brown ink, Cleveland Museum of Art, Cleveland.
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Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland.
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Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland.
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Pietro Perugino, Saint Sebastian, c. 1493, metalpoint, Cleveland Museum of Art, Cleveland.
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Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland.
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