Master Drawings from the Cleveland Museum of Art

Mary Cassatt, After the Bath, 1901, pastel, Cleveland Museum of Art, Cleveland.

William Blake, The Holy Family (Christ in the Lap of Truth), c. 1805, black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green wash, Cleveland Museum of Art, Cleveland.

Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland.

Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland.

Albrecht Dürer, Arm of Eve, 1507, point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache, Cleveland Museum of Art, Cleveland.

Parri Spinelli, Navicella (recto), c. 1410s, pen and brown ink (iron gall), Cleveland Museum of Art, Cleveland.

Jean-François Millet, First Steps, c. 1859–66, black chalk and pastel on beige laid paper, Cleveland Museum of Art, Cleveland.

Michelangelo Buonarroti, Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), 1510–11, red chalk over black chalk or charcoal, Cleveland Museum of Art, Cleveland.

Albrecht Altdorfer, Salome with the Head of St. John the Baptist, c. 1517, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink, Cleveland Museum of Art, Cleveland.

Edgar Degas, Dancers, c. 1896, pastel with charcoal on tracing paper mounted on paper and backed with gray board, Cleveland Museum of Art, Cleveland.

Henri de Toulouse-Lautrec, Monsieur Boileau at the Café, 1893, oil and tempera with charcoal on millboard, Cleveland Museum of Art, Cleveland.

Odilon Redon, Orpheus, c. 1903–10, pastel on brown paper, Cleveland Museum of Art, Cleveland.

Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

Rembrandt van Rijn, Tobias Healing His Father's Blindness, c. 1640–45, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

Georges Seurat, At the Concert Parisien, 1887–88, conté crayon heightened with white chalk on cream handmade modern laid paper, Cleveland Museum of Art, Cleveland.

Charles Demuth, Amaryllis, c. 1923, watercolor over graphite, Cleveland Museum of Art, Cleveland.

Odilon Redon, Vase of Flowers, 1916, pastel, Cleveland Museum of Art, Cleveland.

François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

Théodore Géricault, Fighting Horses, c. 1820, watercolor over graphite, Cleveland Museum of Art, Cleveland.

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland.

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland.

Fra Bartolommeo, Farmhouse on the Slope of a Hill, c. 1508, pen and brown ink, Cleveland Museum of Art, Cleveland.

Charles Burchfield, Church Bells Ringing, Rainy Winter Night, December 1917, watercolor and gouache over graphite on wove paper, Cleveland Museum of Art, Cleveland.

Honoré Daumier, Art Lovers, c. 1863, Gray and black wash, charcoal, and graphite, with watercolor, on cream laid paper, Cleveland Museum of Art, Cleveland.

Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland.

Edgar Degas, Before the Race, c. 1887–89, pastel with charcoal underdrawing on tracing paper mounted on cardboard, Cleveland Museum of Art, Cleveland.

Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland.

Pietro Perugino, Saint Sebastian, c. 1493, metalpoint, Cleveland Museum of Art, Cleveland.

Odilon Redon, Violette Heymann, 1910, pastel on gray wove paper, Cleveland Museum of Art, Cleveland.

Berthe Morisot, Mademoiselle Louise Riesener in a Hat, c. 1877–80, pastel on pale blue laid paper, Cleveland Museum of Art, Cleveland.

Henri de Toulouse-Lautrec, The Laundress, 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground, Cleveland Museum of Art, Cleveland.

François Boucher, Fountain with Two Tritons Blowing Conch Shells, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper, Cleveland Museum of Art, Cleveland.

Raphael, Studies of a Seated Female, Child's Head, and Three Studies of a Baby, c. 1507–8, metalpoint, Cleveland Museum of Art, Cleveland.

Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland.

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland.

Hendrick Goltzius, Standing Officer Holding a Boar's Spear, 1586, Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer, Cleveland Museum of Art, Cleveland.

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland.

Joseph Mallord William Turner, Flüelen, from the Lake of Lucerne, 1845, watercolor with gouache and scratch-away, Cleveland Museum of Art, Cleveland.

Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

Henri de Toulouse-Lautrec, May Belfort, 1895, oil on millboard, Cleveland Museum of Art, Cleveland.

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland.

Paul Gauguin, Head of a Tahitian Woman, 1891, graphite with stumping and graphite wash on parchment, Cleveland Museum of Art, Cleveland.

Edgar Degas, Sheet of Studies and Sketches, 1858, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper, Cleveland Museum of Art, Cleveland.