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Exhibition

Seventeenth Century Netherlandish Graphics

Cleveland Museum of Art26 Apr 1982 – 31 Jul 1982

Seventeenth Century Netherlandish Graphics. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 27-August 1, 1982).

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Cite this exhibition

Seventeenth Century Netherlandish Graphics. Cleveland Museum of Art, Cleveland. April 26, 1982 – July 31, 1982. Dartabase. https://dartabase.art/exhibitions/4c1a5407-1f19-4341-bc88-fffa66469e03.

Works from this exhibition held in Dartabase

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Tobias Healing His Father's Blindness, Rembrandt van Rijn, c. 1640–45, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink

Tobias Healing His Father's Blindness

Rembrandt van Rijn · c. 1640–45

Pen and brown ink, touched with white gouache; framing lines in pen and brown ink

Cleveland Museum of Art

CC0

11 shows

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

20 shows

The Conversion of Saul with Christ and the Cross, Jacob Jordaens, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

The Conversion of Saul with Christ and the Cross

Jacob Jordaens · c. 1645–47

brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Cleveland Museum of Art

CC0

15 shows

Bibliography

  1. ◆

    Rembrandt van Rijn, Tobias Healing His Father's Blindness, c. 1640–45, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

  2. ◆

    Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland.

  3. ◆

    Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland.

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