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Exhibition

Concept, Dogma and Feeling: Italian Drawings 1550-1650

Cleveland Museum of Art26 Aug 1991 – 19 Oct 1991

Concept, Dogma and Feeling: Italian Drawings 1550-1650. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 20, 1991).

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Cite this exhibition

Concept, Dogma and Feeling: Italian Drawings 1550-1650. Cleveland Museum of Art, Cleveland. August 26, 1991 – October 19, 1991. Dartabase. https://dartabase.art/exhibitions/284579af-152a-463a-9ea2-b05e100ebbdb.

Works from this exhibition held in Dartabase

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Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], Paolo Veronese, c. 1570, pen and brown ink (iron gall) and brush and brown wash

Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]

Paolo Veronese · c. 1570

pen and brown ink (iron gall) and brush and brown wash

Cleveland Museum of Art

CC0

13 shows

Aeneas Saving Anchises at the Fall of Troy, Federico Barocci, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink

Aeneas Saving Anchises at the Fall of Troy

Federico Barocci · 1587–88

Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink

Cleveland Museum of Art

CC0

18 shows

Allegorical Figure, Bernardo Strozzi, c. 1635, black chalk with red chalk

Allegorical Figure

Bernardo Strozzi · c. 1635

black chalk with red chalk

Cleveland Museum of Art

CC0

18 shows

Temperance, Domenichino, 1628–30, black chalk heightened with white chalk, squared with black chalk

Temperance

Domenichino · 1628–30

black chalk heightened with white chalk, squared with black chalk

Cleveland Museum of Art

CC0

15 shows

Bibliography

  1. ◆

    Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland.

  2. ◆

    Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland.

  3. ◆

    Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland.

  4. ◆

    Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland.

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